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Versión española

1992 - 2012, 20 años

Berthe Morisot

Organized by Museo Thyssen-Bornemisza with the collaboration of Musée Marmottan Paris

15 November 2011 to 12 February 2012

Author:
Berthe Morisot
Title:
At the ball (detail)
Date:
1875
Technical:
Oil on canvas
Measures:
62 x 52 cm
Location:

Musée Marmottan Monet, Paris.

Chagall

Organised by Thyssen-Bornemisza Museum and Caja Madrid Foundation

From 14 February to 20 May 2012

Author:
Marc Chagall
Title:
The Blue Circus (Le cirque bleu)
Date:
1950-52
Technical:
Oil on linen canvas
Measures:
232.5 x 175.8 cm.
Location:
Centre Pompidou, Paris. Musée national d’art moderne/Centre de création industrielle. Dation 1988.
© VEGAP, Madrid 2012. - Chagall ®

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Mondrian, De Stijl and Dutch artistic tradition

New displays of the collections

From 7 February to 6 May 2012

Technical Studies

  • compound analyzed through an electron microscope

    Portrait of Giovanna Tornabuoni Technical Study

    The technical study of the painting Portrait of Giovanna Tornabuoni presents detailed information about the research conducted by the Conservation Department of the Thyssen-Bornemisza Museum to shed light on the creative process, techniques and materials used by Ghirlandaio.

    The ensuing exhibition and publication display the results obtained in the Museum’s laboratory using X-radiography, infrared photography and microsamples, which have been crucial in identifying the working technique and the material composition, as well as the distribution of strata in the painting.

    Go to microsite

  • compound analyzed through an electron microscope

    Otto Dix Portrait of Hugo Erfurth. Techniques and Secrets

    The technical study of the painting Hugo Erfurth with Dog presents detailed information about the research conducted by the Conservation Department of the Thyssen-Bornemisza Museum to shed light on the creative process, techniques and materials used by Otto Dix.

    The ensuing exhibition and publication display the results obtained in the Museum’s laboratory using X-radiography, infrared photography and microsamples, which have been crucial in identifying the working technique and the material composition, as well as the distribution of strata in the painting.

    Go to microsite

  • compuesto analizado a través de un microscopio electrónico

    RafaelloDifferent photographic techniques for the physical study of a work

    Non-destructive techniques are employed based on exposing the work of art to electromagnetic radiations of different wave-lengths (close-up infra-red, visible, ultraviolet, x-rays).

    Through these techniques an image is obtained whose subsequent treatment will produce comprehensive information on the work.

    Go to microsite

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España