Surrealism and the Dream
8 October 2013 to 12 January 2014
<exchanging gazes> 7: The Rhythm of the Earth. 17th century Dutch and 19thcentury American Landscape Painting
New Display of the Collections
From 24 September 2013 to 6 January 2014
The resemblance the present Composition by Vilmos Huszár bears to the geometric abstraction of De Stijl has led it to be dated erroneously to the 1920s in the past. However, the Hague exhibition catalogue by Sjarel Ex and Els Hoek , published in 1985, features a work dated 1955–60 that is very similar to that in the collection. Furthermore, Christopher Green, on the basis of the chemical analyses performed on the Thyssen-Bornemisza painting which reveal that the painter had used cadmium yellow, zinc white and lead white — pigments not sold in the Netherlands until after 1945 — considers the earlier dating to be incorrect. Given that Huszár abandoned abstract figuration in 1955 in favour of a pure non-objective language, it may be deduced that the work in the Thyssen-Bornemisza collection should be dated to these last five years in the painter’s life.