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Alma-Tadema and Victorian Painting
in the Pérez-Simón Collection

From 25 June to 12 October 2014 (extended closing date)



Autor:
Sir Lawrence Alma-Tadema
Título:
The Roses of Heliogabalus (detail)
Fecha:
1888
Técnica:
Oil on canvas
Medidas:
132.7 x 214.4 cm

Ubicacion:
Pérez-Simón Collection, Mexico

Carmen in Spanish collections

From 7 October until 9 November 2014

Special Collaborative Exhibition. Free entry



Autor:
Pablo Picasso
Título:
Femme de profil à l’éventail, 1964, illustrations for the book Le Carmen des Carmen by Prosper Mérimée and Louis Aragon
Fecha:
1964
Ubicacion:
Fundación Bancaja Collection
© Sucesión Pablo Picasso, VEGAP, Madrid, 2014

Thyssen-Bornemisza Collection

Autor:
Vilmos Huszár
Título:
Composition
Fecha:
ca. 1955-60
Técnica:
Oil on cardboard
Medidas:
84.2 x 61.4 cm
Úbicacion:
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 599 (1979.80)

More information about this work




The resemblance the present Composition by Vilmos Huszár bears to the geometric abstraction of De Stijl has led it to be dated erroneously to the 1920s in the past. However, the Hague exhibition catalogue by Sjarel Ex and Els Hoek , published in 1985, features a work dated 1955–60 that is very similar to that in the collection. Furthermore, Christopher Green, on the basis of the chemical analyses performed on the Thyssen-Bornemisza painting which reveal that the painter had used cadmium yellow, zinc white and lead white — pigments not sold in the Netherlands until after 1945 — considers the earlier dating to be incorrect. Given that Huszár abandoned abstract figuration in 1955 in favour of a pure non-objective language, it may be deduced that the work in the Thyssen-Bornemisza collection should be dated to these last five years in the painter’s life.

Paloma Alarcó

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