Museo Thyssen-Bornemisza - Inicio

Versión española

Buy tickets

Hubert Givenchy

From 22 October to 18 January 2014

Limited entry numbers. Early booking is recommended



Autor:
Robert Doisneau
Título:
Hubert de Givenchy
Fecha:
1960
Ubicacion:
© Robert Doisneau

American Impressionism

From 04 November 2014 to 01 February 2015

Limited entry numbers. Early booking is recommended



Autor:
Mary Cassatt
Título:
Autumn, 1880 (detail)
Técnica:
Oil on canvas
Medidas:
92,5 x 65,5 cm

Ubicacion:
Musée des Beaux Arts de la Ville de Paris, Petit Palais, París, PPP00706 © Petit Palais/Roger Viollet

Thyssen-Bornemisza Collection

Autor:
Stuart Davis
Título:
Sweet Caporal
Fecha:
1922
Técnica:
Oil and watercolour on lined cardboard
Medidas:
51 x 47 cm
Úbicacion:
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 513 (1973.55)

More information about this work




Stuart Davis confessed that “The two dominant forces in my early art education were the teachings of Robert Henri and the Armory Show of modern European art.” Davis’s painting is a constant attempt at reconciliation between realism and abstraction, between his commitment to the American themes taught by his master Robert Henri and the abstract art from abroad, and between the need to capture surrounding reality and the belief that a painting was an object independent from that reality. In his so-called Tobacco still-lifes executed at the beginning of the 1920s, which, like the present Sweet Caporal belonging to the Thyssen-Bornemisza collection, were inspired by cigarette packs, he not only exploits the formal potential of such packages but is interested in them as cultural products. Perhaps, as Bonnie L. Grad suggests, this appropriation of different quotidian objects is inspired by the Dadaist works of Marcel Duchamp. However, as Barbara Zabel points out, it also anticipates by several decades Andy Warhol’s Campbell’s Soup Cans.

Employing a language inherited from synthetic Cubism, in Sweet Caporal Davis shows his fascination with reproducing the words printed on the packaging of modern consumer products or billboards, which he furthermore uses as a device for emphasising the flatness of the pictorial composition. Cubism provided him with the key to making the transition from perception to conceptualization and he embraced a new type of painting based on Cubist collages with a series of overlapping planes, in a continual interplay of perspective and two-dimensionality.

Sweet Caporal, “Sweet Caps” as it was commonly known, was a brand of cigarettes sold by the American Tobacco Company from the end of the nineteenth century. It became very popular during the First World War, owing perhaps to its military connotations, since as Barbara Zabel points out, the American Heritage Dictionary defines the word “caporal” as “a strong, dark cigarette and pipe tobacco derived from the French ‘tabac de caporal’.”

Paloma Alarcó

Featured Products

Go to the shop

Recommended artists

Recommended works

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

We use our own cookies and those of third-parties to analyze the use of our website and display personalized advertising. If you continue browsing, we will consider that you consented to its use. For more information see our Cookie Policy.