Museo Thyssen-Bornemisza - Inicio

Versión española

Buy tickets

Alma-Tadema and Victorian Painting
in the Pérez-Simón Collection

From 25 June to 12 October 2014 (extended closing date)



Autor:
Sir Lawrence Alma-Tadema
Título:
The Roses of Heliogabalus (detail)
Fecha:
1888
Técnica:
Oil on canvas
Medidas:
132.7 x 214.4 cm

Ubicacion:
Pérez-Simón Collection, Mexico

Carmen in Spanish collections

From 7 October until 9 November 2014

Special Collaborative Exhibition. Free entry



Autor:
Pablo Picasso
Título:
Illustrations for Le Carmen des Carmen by Prosper Mérimée and Louis Aragon>
Fecha:
1964
Ubicacion:
Bancaja Collection, Valencia
© Sucesión Pablo Picasso, VEGAP, Madrid, 2014
  • Home
  • Wind, Sea and Sail

Thyssen-Bornemisza Collection

Autor:
Charles Sheeler
Título:
Wind, Sea and Sail
Fecha:
1948
Técnica:
Oil on canvas
Medidas:
51 x 61 cm
Úbicacion:
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 758 (1975.10)

More information about this work




The painter and photographer Charles Sheeler was a seminal member of the American avant-garde circle of Alfred Stieglitz. Following his trip to Paris in 1909, where he came into contact with Cubism, he devoted himself chiefly to photography, while his own Cubist-inspired style of painting gradually took shape. His original approach to objects — which came to be called Precisionism or Cubist-Realism — defined his entire artistic career.

Wind, Sea and Sail, dated 1948, is a later version of a similar painting and drawing executed in 1922. It is an emotionally distant, frozen image painted using the flat and impersonal technique characteristic of Precisionism. Both the earlier oil painting, entitled Pertaining to Yachts and Yachting, and the later work belonging to the Collection show a very abstract handling of a theme that is rarely found in Sheeler’s output — the study of light and the rhythms of the forms of sails, defined by the artist as a “study in polyphonic form.”

Sheeler’s most common subject matter is industrial landscapes, urban views and interiors, similar to the themes he had captured in his photographs. It is evident, not only from Sheeler’s choice of subject matter and optical angles but also, as with the present work, from the transparency, how much his painting is indebted to photography. The overlapping of planes may also recall the multiple exposures of experimental photography.

Paloma Alarcó

Featured Products

Go to the shop

Recommended artists

Recommended works

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

We use our own cookies and those of third-parties to analyze the use of our website and display personalized advertising. If you continue browsing, we will consider that you consented to its use. For more information see our Cookie Policy.