Still from a period before the influence of Raphael, this work offers certain atavisms with the tradition of the Dutch Primitives, especially in the conception of the landscape and in the hardness of the folds of the fabrics. he was clearly inspired by a wooden engraving by Lucas Cranach, which reaffirms his essentially northern character and his evocation of the Danube school in this first period. A symbolic value has been attributed to the different flowers that appear in the foreground.
