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Alma-Tadema and Victorian Painting
in the Pérez-Simón Collection

From 25 June to 12 October 2014 (extended closing date)



Autor:
Sir Lawrence Alma-Tadema
Título:
The Roses of Heliogabalus (detail)
Fecha:
1888
Técnica:
Oil on canvas
Medidas:
132.7 x 214.4 cm

Ubicacion:
Pérez-Simón Collection, Mexico

Carmen in Spanish collections

From 7 October until 9 November 2014

Special Collaborative Exhibition. Free entry



Autor:
Pablo Picasso
Título:
Illustrations for Le Carmen des Carmen by Prosper Mérimée and Louis Aragon>
Fecha:
1964
Ubicacion:
Bancaja Collection, Valencia
© Sucesión Pablo Picasso, VEGAP, Madrid, 2014
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  • Johann Barthold Jongkind

Biography and Works

Author:
Johann Barthold Jongkind
Born/Dead:
Latrop, 1819-La Côte-Saint-André, 1891
Date:
Works

Biography




Born in the Dutch region of Overijssel, Johann Barthold Jongkind spent most of his life in Paris, where he was in close contact with followers of the new movements in French painting. He attended the Academie voor Beeldende Kunsten in The Hague from 1836 until 1845, when he received a grant from King William to travel to Paris to study under the Romantic landscape artist Eugène Isabey. He soon established ties with painters of the Barbizon School who, like him, sought inspiration in the direct observation of nature and were interested in capturing light and atmospheric effects. He began to exhibit at the Salon in 1848 and took part in the Exposition Universelle in 1855, but although his works were well received by critics and public, he was forced by his debts to return to his country of birth

In. 1860, after five years of relative isolation, a group of friends, among them Camille Corot, organised a sale of paintings to finance Jongkind’s return to Paris. Around this time his relationship became firmly established with the dealer Firmin Martin, who introduced him to Madame Josephine Fesser, with whom he maintained a close relationship until his death. Although he continued to travel to the Netherlands during the rest of his life, his connection with the French art world became increasingly intense: he exhibited at the Salon des Refusés and met, among others, Eugène Boudin and Claude Monet, over whom he exerted considerable influence

In. 1862 Jongkind began to produce series of etchings inspired by Dutch scenes and landscapes, motifs which had always played an important role in his work. He lived with Madame Fesser in La Côte-Saint-André from 1881 onwards

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