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Alma-Tadema and Victorian Painting
in the Pérez-Simón Collection

From 25 June to 12 October 2014 (extended closing date)



Autor:
Sir Lawrence Alma-Tadema
Título:
The Roses of Heliogabalus (detail)
Fecha:
1888
Técnica:
Oil on canvas
Medidas:
132.7 x 214.4 cm

Ubicacion:
Pérez-Simón Collection, Mexico

Carmen in Spanish collections

From 7 October until 9 November 2014

Special Collaborative Exhibition. Free entry



Autor:
Pablo Picasso
Título:
Illustrations for Le Carmen des Carmen by Prosper Mérimée and Louis Aragon>
Fecha:
1964
Ubicacion:
Bancaja Collection, Valencia
© Sucesión Pablo Picasso, VEGAP, Madrid, 2014

Biography and Works

Author:
Gustave Moreau
Born/Dead:
Paris, 1826-1898
Date:
Works
  • ficha artista
    Author:
    Gustave Moreau
    Title:
    The Voices
    Year:
    ca. 1880
  • ficha artista
    Author:
    Gustave Moreau
    Title:
    Galathea
    Year:
    ca. 1896

Biography




The French painter Gustave Moreau, who had a Romantic grounding and a thorough knowledge of the Italian Renaissance painters, developed a personal style that foreshadowed late nineteenth-century French Symbolism. He studied under François-Édouard Picot at the École des Beaux-Arts and exhibited for the first time at the Salon of 1851. His early works, steeped in the Romanticism of Eugène Delacroix and Théodore Chassériau, were well received by the critics, though Moreau was not entirely satisfied with them

Moreau. travelled to Italy in 1857. For the next two years he visited Rome, Florence and Venice and had the opportunity of studying and copying the great Italian Renaissance painters, who had a determining influence on him. After returning to Paris, he worked intensely on Oedipus and the Sphinx (New York, The Metropolitan Museum of Art), for which he earned a medal at the Salon of 1864. Prince Napoléon-Jérôme Bonaparte’s acquisition of this picture contributed decisively to Moreau’s public recognition. Thenceforward mythological themes and religious scenes, always interpreted in a personal manner, became predominant in his production. However, his critical fortunes changed at the end of the 1860s, which led him to rework his style, adopting a Baroque manner linked particularly to Rembrandt

Salomé. Dancing before Herod (Los Angeles, Armand Hammer Collection), shown at the Salon of 1876, was a resounding success. An officer of the Legion of Honour from 1883Moreau, taught at the Académie des Beaux-Arts of the Institut de France from 1888His. liberal method of teaching had a determining influence on his students, among them Henri Matisse and the other Fauve painters. Towards the end of his life, in 1895, he began to remodel his Montmartre home to convert it into a museum, which has housed his work since then

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