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Versión española

1992 - 2012, 20 años

Chagall

Organised by Thyssen-Bornemisza Museum and Caja Madrid Foundation

From 14 February to 20 May 2012

Author:
Marc Chagall
Title:
The Blue Circus (Le cirque bleu)
Date:
1950-52
Technical:
Oil on linen canvas
Measures:
232.5 x 175.8 cm.
Location:


Centre Pompidou, Paris. Musée national d’art moderne/Centre de création industrielle. Dation 1988.
© VEGAP, Madrid 2012. - Chagall ®

Into India

South Asian Paintings from the San Diego Museum of Art

Organised by the Thyssen-Bornemisza Museum and the San Diego Museum of Art

EXTENDED UNTIL 27 MAY 2012

Author:
'Abid, son of Aqa Reza
Title:
The Emperor Shah Jahan on the Peacock Throne
Date:
India, 1640
Technical:
Opaque watercolor and gold on paper, mounted as an album page
Measures:
36.7 x 25 cm.
Location:



Edwin Binney 3rd Collection. 1990.352

Biography and Works

Author:
Francis Bacon
Born/Dead:
Dublin, 1909-Madrid, 1992
Date:
Works

Biography

Francis Bacon is one of the most representative and disturbing artists of the post-Second World War period. His personal, tormented and decomposed vision of the human being is the best testament to the crisis that afflicted mankind during the second half of the twentieth century

Born. in Dublin, albeit of English parents, in 1925 Bacon went to live in London, where he started out as an interior decorator. He began painting as a self-taught artist in the early 1930s after visiting a Picasso exhibition at the Galerie Rosenberg in Paris. Although Herbert Read published one of his paintings (Crucifixion, 1933. LondonMuderme), in the book Art Now as early as 1933, his works were not initially well received. The few successes he reaped during his first years as a painter led him to destroy most of his early work in 1942. After being declared unfit for active military service in the Second World War, he served as an Air Raid Patrol officer during the first part of the war and did not take up painting regularly until 1944. In 1946 the New York Museum of Modern Art acquired his Painting, executed that year, and from this point onwards his work began to enjoy a reputation. In 1956 he was invited to represent Great Britain in the Venice Biennale together with Ben Nicholson and Lucian Freud

Bacon. was always interested in the more bitter side of existence and his works are metaphors for man’s struggle with his environment. His personal pictorial language shows the most mysterious and disturbing aspects of the human condition; his portraits are not intended as physical likenesses of the sitters, but seek to capture their spiritual selves. As to technique, Bacon was a perfectionist and displayed an unrivalled mastery at blending chance and order simultaneously. His works combine interest in photography with his admiration for the Great Masters of painting, especially Velázquez, Rembrandt and Goya.

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España