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Versión española

Hyperrealism. 1967-2012

22 March to 9 June 2013

Advance purchase is recommended

Autor:
Tom Blackwell
Título:
Triumph Trumpet (detail)
Fecha:
1977
Técnica:
Oil on canvas
Medidas:
180 x 180 cm.

Ubicacion:
Private Collection, New York.
image © Tom Blackwell photo © Louis K. Meisel Gallery, New York

<exchanging gazes> 5: Interior Scenes. Women and Daily Life.

New Display of the Collections

From 26 February to 10 June 2013

Autor:
Nicolas Maes
Título:
The Naughty Drummer
Fecha:
c. 1655
Técnica:
Museo Thyssen-Bornemisza, Madrid. Nr. INV. 241 (1930.56)

Biography and Works

Author:
Marco Ricci
Born/Dead:
Belluno, 1676-Venice, 1730
Date:
Works

Biography

Marco Ricci was a painter, printmaker, and set designer. Nephew of Sebastiano Ricci, he probably first trained in his uncle’s studio in Venice and often assisted him on his projects. Marco Ricci was obliged to flee from Venice after he was involved in a murder, moving to Split where he remained for four years, during which time he continued his studies in the studio of a landscape painter. Around 1700 he was again in Venice and at this point began to work on set design. In 1705 he is documented as collaborating with Alessandro Magnasco whose style significantly influenced the young Ricci’s own, which became freer and more fluid

In. 1708 Ricci left for England in the company of Giovanni Antonio Pellegrini, invited by Charles Montagu, Duke of Manchester. During their trip both painters travelled through the Low Countries where Ricci became familiar with Dutch landscape painting. Once in England, Ricci principally worked as a set designer for operas and also painted fresco decorations for the residence of the Duke of Manchester in London, and at Castle Howard. In 1710 he left the capital but returned there in 1712 with his uncle Sebastiano Ricci. Both were back in Venice in 1716 and continued to work closely together

Marco. Ricci’s most original works are his landscape paintings whose themes include Mediterranean ports, pastoral scenes, woods with travellers, cultivated fields and winter views. The realism and simplicity of some of these compositions indicate a profound knowledge of Dutch and Flemish painting. Ricci’s work was crucial to the development of 18th-century Venetian landscape painting and among the artists whom he influenced were Canaletto, Michele Giovanni Marieschi, Francesco Guardi, Giuseppe Zaïs, and Francesco Zuccarelli

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