Museo Thyssen-Bornemisza - Inicio

Versión española

Buy tickets

Raoul Dufy

From 17 February to 17 May 2014

Early booking is recommended



Autor:
Raoul Dufy
Título:
Open Window, Nice, 1928
Técnica:
Oil on canvas
Medidas:
65,1 x 53,7 cm

Ubicacion:
The Art Institute of Chicago, Joseph Winterbotham Collection
© Raoul Dufy / VEGAP / Madrid, 2015

Paul Delvaux: A Walk with Love and Death

From 24 February to 07 June 2015

Early booking is recommended



Autor:
Paul Delvaux
Título:
The Table, 1946
Técnica:
Oil on canvas
Medidas:
86 x 76 cm

Ubicacion:
Private Collection on deposit at Musée d´lxelles, Brusssels
© Foundation Paul Delvaux, Koksijde, Belgium / VEGAP – SABAM – 2015

Biography and Works

Author:
Titian
Born/Dead:
Pieve di Cadore, ca. 1485/90-Venice, 1576
Date:
Works

Biography




The date of Titian’s birth is not known, but can be located between 1485 and 1490. According to Dolce, Titian trained in Venice with Sebastiano Zuccati as a painter and mosaic designer. He continued his studies in the workshop of Gentile and Giovanni Bellini and later collaborated with Giorgione on the decoration of the frescoes for the Fondaco dei Tedeschi. His first important commission was for the frescoes in the Scuola del Santo in Padua of 1511. In 1516, following Giovanni Bellini’s death, Titian was appointed official painter to the Republic. During that same decade he painted Sacred and Profane Love (Villa Borghese, Rome) and The Assumption for the church of Santa Maria dei Frari in Venice, a work that brought him his first recognition in the city. Titian’s early works retain the influence of Giorgione but he soon developed a distinctive use of light and colour and his paintings are bathed with a tonal atmosphere while making use of innovative compositions

A. prolific painter, Titian was outstanding in a range of genres including religious and mythological paintings and portraiture. His long career involved a stylistic and technical evolution that moved from the highly finished handling of his first works to the use of a loose, free brushstroke and broken technique evident in his late paintings. Titian was in demand from the courts of Ferrara (from 1516) and Mantua, while the Emperor Charles V appointed him court painter and in 1533 made him Count Palatine, an honour never previously granted to a painter. The most important patron of his later career was Philip II of Spain. Titian is considered the greatest Venetian painter of his day and would be highly influential for later painting. Vasari devoted a lengthy chapter to him in his Lives, considering him “a man chosen by God, as he received from him all the gifts a mortal man could desire”

.

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

We use our own cookies and those of third-parties to analyze the use of our website and display personalized advertising. If you continue browsing, we will consider that you consented to its use. For more information see our Cookie Policy.