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Alma-Tadema and Victorian Painting
in the Pérez-Simón Collection

From 25 June to 12 October 2014 (extended closing date)



Autor:
Sir Lawrence Alma-Tadema
Título:
The Roses of Heliogabalus (detail)
Fecha:
1888
Técnica:
Oil on canvas
Medidas:
132.7 x 214.4 cm

Ubicacion:
Pérez-Simón Collection, Mexico

Carmen in Spanish collections

From 7 October until 9 November 2014

Special Collaborative Exhibition. Free entry



Autor:
Pablo Picasso
Título:
Femme de profil à l’éventail, 1964, illustrations for the book Le Carmen des Carmen by Prosper Mérimée and Louis Aragon
Fecha:
1964
Ubicacion:
Fundación Bancaja Collection
© Sucesión Pablo Picasso, VEGAP, Madrid, 2014

Biography and Works

Author:
Jan Jansz. Treck
Born/Dead:
Amsterdam, 1605/6 -1652
Date:
Works

Biography




Treck was a Dutch still-life painter and brother-in-law of the still-life painter Jan Jansz. den Uyl, with whom he began his training. First documented as an independent painter in 1623, Treck lived and worked throughout his life in his native city. On the death of Den Uyl around 1639 he inherited his possessions and cared for his widow and sons, who became his pupils. Only a small part of Treck’s oeuvre has survived and only four dated works are known, from 1641, 1647, 1649 and 1650, making his chronology difficult to establish. Treck died in Amsterdam in 1652

Treck’s. work is so stylistically reliant on that of Den Uyl that it is difficult to distinguish the two hands. His earliest compositions of around 1641 are characterised by an emphasis on vertical lines, emphasised by his preference for vertical formats. He used large, empty backgrounds in pale tones with the motifs painted in large scale. From the outset his still lifes included glasses, glass vessels, porcelain and metallic objects and he used the reflections on the surface to add expressivity to these compositions. Another preferred motif was a white napkin or folded tablecloth that falls over the edge of the table. Treck’s later works reveal a greater stylistic independence although Den Uyl’s influence is still to be detected. Dating from 1647 during his last phase is a small Still Life (Rijksmuseum, Amsterdam) that manifests affinities with the work of Jan Jansz. van de Velde, while in general his work suggests a knowledge of the art of leading painters such as Pieter Claesz. and Willem Heda

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