Museo Thyssen-Bornemisza - Inicio

Versión española

Buy tickets

Paul Delvaux: A Walk with Love and Death

From 24 February to 07 June 2015

Early booking is recommended



Autor:
Paul Delvaux
Título:
The Table, 1946
Técnica:
Oil on canvas
Medidas:
86 x 76 cm

Ubicacion:
Private Collection on deposit at Musée d´lxelles, Brusssels
© Foundation Paul Delvaux, Koksijde, Belgium / VEGAP – SABAM – 2015

Zurbarán. A New Perspective

From 9 June to 13 September 2015

Advance booking already available



Autor:
Francisco de Zurbarán
Título:
Saint Serapion, 1628
Técnica:
Oil on canvas, 120.2 x 104 cm
Ubicacion:
Hartford, Wadsworth Atheneum Museum of Art, CT.
The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund

Biography and Works

Author:
Jan Jansz. Treck
Born/Dead:
Amsterdam, 1605/6 -1652
Date:
Works

Biography




Treck was a Dutch still-life painter and brother-in-law of the still-life painter Jan Jansz. den Uyl, with whom he began his training. First documented as an independent painter in 1623, Treck lived and worked throughout his life in his native city. On the death of Den Uyl around 1639 he inherited his possessions and cared for his widow and sons, who became his pupils. Only a small part of Treck’s oeuvre has survived and only four dated works are known, from 1641, 1647, 1649 and 1650, making his chronology difficult to establish. Treck died in Amsterdam in 1652

Treck’s. work is so stylistically reliant on that of Den Uyl that it is difficult to distinguish the two hands. His earliest compositions of around 1641 are characterised by an emphasis on vertical lines, emphasised by his preference for vertical formats. He used large, empty backgrounds in pale tones with the motifs painted in large scale. From the outset his still lifes included glasses, glass vessels, porcelain and metallic objects and he used the reflections on the surface to add expressivity to these compositions. Another preferred motif was a white napkin or folded tablecloth that falls over the edge of the table. Treck’s later works reveal a greater stylistic independence although Den Uyl’s influence is still to be detected. Dating from 1647 during his last phase is a small Still Life (Rijksmuseum, Amsterdam) that manifests affinities with the work of Jan Jansz. van de Velde, while in general his work suggests a knowledge of the art of leading painters such as Pieter Claesz. and Willem Heda

.

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

We use our own cookies and those of third-parties to analyze the use of our website and display personalized advertising. If you continue browsing, we will consider that you consented to its use. For more information see our Cookie Policy.