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Paul Delvaux: A Walk with Love and Death

From 24 February to 07 June 2015

Early booking is recommended



Autor:
Paul Delvaux
Título:
The Table, 1946
Técnica:
Oil on canvas
Medidas:
86 x 76 cm

Ubicacion:
Private Collection on deposit at Musée d´lxelles, Brusssels
© Foundation Paul Delvaux, Koksijde, Belgium / VEGAP – SABAM – 2015

Zurbarán. A New Perspective

From 9 June to 13 September 2015

Advance booking already available



Autor:
Francisco de Zurbarán
Título:
Saint Serapion, 1628
Técnica:
Oil on canvas, 120.2 x 104 cm
Ubicacion:
Hartford, Wadsworth Atheneum Museum of Art, CT.
The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund
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Thyssen-Bornemisza Collection

Autor:
Robert Salmon
Título:
View of Greenock, Scotland
Fecha:
1816
Técnica:
Oil on canvas
Medidas:
66.6 x 112.3 cm
Úbicacion:
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 364 (1980.60)

More information about this work




On arriving in Boston in 1828, the English artist Robert Salmon became the most prestigious sea painter and exerted considerable influence on the American Luminists, particularly Fitz Henry Lane. Before moving to America, Salmon had lived in the Scottish port of Greenock, where he painted this landscape belonging to the Thyssen-Bornemisza collection in 1816. This seaport, located east of Glasgow on the river Clyde, was a very beautiful area with many attractions for tourists and artists. In the foreground, before the panoramic landscape, is a bucolic genre scene showing a group of washerwomen performing their daily chores amid a clearing in the path. The backdrop is the town of Greenock, rendered in miniaturist detail, with its smoking chimneys and several boats moored at the harbour or sailing across the estuary with unfurled sails.

As John Wilmerding maintains, the crystalline style, delicate illumination and attention to detail of View of Greenock, Scotland recall the seventeenth-century Dutch landscape tradition and the calligraphic style of Canaletto’s vedute that were very much in vogue in England from the mid-eighteenth century onwards. Salmon combines a topographer’s eye and a vedutista’s keen mastery of drawing with the admirable cloud forms and atmospheric effects of Dutch painting, while the trees that frame the landscape are reminiscent of Claude Lorrain.

Paloma Alarcó

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

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