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©
Museo Nacional Thyssen-Bornemisza, Madrid
August Macke

Hussars on a Sortie

1913
Oil on canvas.
37.5 x 56.1 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
655
(
1980.50
)
ROOM 36
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Temporary exhibition rooms 54 Temporary exhibition rooms 55 Temporary exhibition rooms 56 Temporary exhibition rooms Rodin Exhibition room
Hussars on a Sortie displays the powerful influence of Futurist simultaneity on August Macke’s painting. The German translation of the 1910 Technical Manifesto of Futurist Paintingwas published by Herwarth Walden in the magazine Der Sturm in March 1912 while his Berlin gallery was showing an exhibition of the Italians’ works.

According to Vriesen, the work was painted in the artist’s Bonn studio in 1913 and the subject matter, so uncommon in his oeuvre, may stem from his enlistment as a voluntary in the 160th Infantry Regiment in 1908. The sketch-like nature of the composition is no doubt due to the fact that Macke was essentially concerned with capturing movement. The image of horsemen in action was a motif that was especially appreciated by the Futurists, who referred to the galloping of horses as follows in their manifesto: “On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career. Thus a running horse has not four legs, but twenty, and their movements are triangular.”

Paloma Alarcó
20th Century20th Century - European painting. ExpressionismPaintingOilcanvas
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Hussars on a Sortie. Húsares al galope, 1913
Hussars on a Sortie
August Macke

©

Museo Nacional Thyssen-Bornemisza, Madrid

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Hussars on a Sortie. Húsares al galope, 1913
Hussars on a Sortie
August Macke

©

Museo Nacional Thyssen-Bornemisza, Madrid

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