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Raoul Dufy

From 17 February to 17 May 2015

Early booking is recommended



Autor:
Raoul Dufy
Título:
Open Window, Nice, 1928
Técnica:
Oil on canvas
Medidas:
65,1 x 53,7 cm

Ubicacion:
The Art Institute of Chicago, Joseph Winterbotham Collection
© Raoul Dufy / VEGAP / Madrid, 2015

Paul Delvaux: A Walk with Love and Death

From 24 February to 07 June 2015

Early booking is recommended



Autor:
Paul Delvaux
Título:
The Table, 1946
Técnica:
Oil on canvas
Medidas:
86 x 76 cm

Ubicacion:
Private Collection on deposit at Musée d´lxelles, Brusssels
© Foundation Paul Delvaux, Koksijde, Belgium / VEGAP – SABAM – 2015

Thyssen-Bornemisza Collection

Autor:
Max Ernst
Título:
Untitled (Dada)
Fecha:
ca. 1922-23
Técnica:
Oil on canvas
Medidas:
43.2 x 31.5 cm
Úbicacion:
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 538 (1974.22)

More information about this work




The title given by Max Ernst to the present painting — Untitled. (Dada) — leaves no doubt about his attachment to this movement. The artist, who came to call himself “Dadamax Ernst,” was one of the leading members of the Cologne Dadaists together with the artist and poet Johannes Baargeld, who belonged to the Communist party, and the experimental artist Hans Arp. However, the canvas is dated about 1922 or 1923, by which time Ernst had moved to Paris, where he would soon join the Surrealist group, then in its époque des sommeils.

The natural progression from Dadaism to Surrealism is very evident in Ernst’s painting. A person with his back to the viewer stands opposite a large spiral in a room containing several absurd floating objects. Each detail is depicted realistically, but when viewed as a whole, the composition has an inexplicable discontinuity about it. By removing the various elements from their context, Ernst not only creates new forms but achieves fanciful and strange meanings. Although it is an oil painting, Ernst employs the devices of collage. From 1918 to 1924 the artist exploited to the full the satirical use of this technique with a mordacity that recalls the photomontages of John Heartfield and George Grosz.

Paloma Alarcó

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

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