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©
Museo Nacional Thyssen-Bornemisza, Madrid
Paul Klee

Omega 5 (Traps), 1927, 295

1927
Oil and watercolor on canvas nailed on cardboard.
57.3 x 43 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
623
(
1976.8
)
ROOM 44
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Temporary exhibition rooms 54 Temporary exhibition rooms 55 Temporary exhibition rooms 56 Temporary exhibition rooms Rodin Exhibition room
Omega 5 (Traps) is a clear example of the ambiguity of Paul Klee’s oeuvre, which swung from figuration to abstraction, from the real to the imagined. The word Attrappen, which appears in the original title, refers to props used in a stage set, and therefore brings to mind artificial objects made of cardboard.

In 1927, the year the present painting is dated, Klee was at the Bauhaus in Dessau, a period in which his investigations were centred on the geometrical origins of form. His studies on the spatial relationships of objects and on the growth of organic forms were chiefly conducted through his numerous still lifes. He wrote in his essay Ways of Studying Nature, in 1923, “thanks to the consciousness that the object is more than its outward appearance would lead us to think, the object expands inwards beyond appearances, through our knowledge.”

Paloma Alarcó
20th Century20th Century - European painting. Pioneers of abstractionPaintingOil and watercolorcanvas nailed on cardboard
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Omega 5 (Traps)

Omega 5 (Traps)

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Poster Richard Estes: People's Flower

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Los impresionistas y la fotografía. Exhibition catalogue. Spanish Hard Cover

Los impresionistas y la fotografía. Exhibition catalogue. Spanish Hard Cover

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Carmen Thyssen-Bornemisza Collection Catalogue  V1 (Spanish)

Carmen Thyssen-Bornemisza Collection Catalogue V1 (Spanish)

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Omega 5 (Traps), 1927, 295. Omega 5 (Objetos de imitación), 1927, 295, 1927
Omega 5 (Traps), 1927, 295
Paul Klee

©

Museo Nacional Thyssen-Bornemisza, Madrid

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Omega 5 (Traps), 1927, 295. Omega 5 (Objetos de imitación), 1927, 295, 1927
Omega 5 (Traps), 1927, 295
Paul Klee

©

Museo Nacional Thyssen-Bornemisza, Madrid

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