Bargee (Mother and Child) - David Bomberg

Hyperrealism 1967-2012
<exchanging gazes> 5

Hyperrealism. 1967-2012

22 March to 9 June 2013

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Autor:: Tom Blackwell
Título:: Triumph Trumpet (detail)
Fecha:: 1977

Técnica:: Oil on canvas
Medidas:: 180 x 180 cm.
Ubicacion:: Private Collection, New York.
image © Tom Blackwell photo © Louis K. Meisel Gallery, New York

<exchanging gazes> 5: Interior Scenes. Women and Daily Life.

New Display of the Collections

From 26 February to 10 June 2013

Autor:: Nicolas Maes
Título:: The Naughty Drummer
Fecha:: c. 1655

Técnica:: Museo Thyssen-Bornemisza, Madrid. Nr. INV. 241 (1930.56)

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Bargee (Mother and Child)

Thyssen-Bornemisza Collection

Autor:: David Bomberg
Título:: Bargee (Mother and Child)
Fecha:: 1921

Técnica:: Oil on canvas
Medidas:: 91.5 x 71 cm
Úbicacion:: Museo Thyssen-Bornemisza, Madrid
Numero de inventario: INV. Nr. 471 (1980.1)

Bargee (Mother and Child), David Bomberg

More information about this work

Like the work of many of his contemporaries , Bomberg’s painting underwent a transformation during the years immediately after the Great War. The precise, abstract geometry of his early works gave way to a more dynamic, agitated structure that hinted at certain unrest. This new style is particularly apparent in a series devoted to the bargees of London’s canals, which was shown at the Adelphi Gallery in London and in the London Group Exhibition of 1919.

The sketchy , impastoed technique and dull palette of the Bargee (Mother and Child) belonging to the Thyssen-Bornemisza collection prefigures the Expressionistic style of his final period, although the rigid , geometrised composition is closer to his pre-war abstract works. The bird’s eye view of the woman with a baby on her lap, in a stiff pose as if both were imprisoned on the barge, and the deep melancholy he succeeds in conveying attest to Bomberg’s interest in underprivileged members of society.

Paloma Alarcó

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