Museo Thyssen-Bornemisza - Inicio

Versión española

Buy tickets

Paul Delvaux: A Walk with Love and Death

From 24 February to 07 June 2015

Early booking is recommended



Autor:
Paul Delvaux
Título:
The Table, 1946
Técnica:
Oil on canvas
Medidas:
86 x 76 cm

Ubicacion:
Private Collection on deposit at Musée d´lxelles, Brusssels
© Foundation Paul Delvaux, Koksijde, Belgium / VEGAP – SABAM – 2015

Zurbarán. A New Perspective

From 9 June to 13 September 2015

Advance booking already available



Autor:
Francisco de Zurbarán
Título:
Saint Serapion, 1628
Técnica:
Oil on canvas, 120.2 x 104 cm
Ubicacion:
Hartford, Wadsworth Atheneum Museum of Art, CT.
The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund
  • Home
  • The Little Palm Tree

Carmen Thyssen-Bornemisza Collection

Autor:
Raoul Dufy
Título:
The Little Palm Tree
Fecha:
ca. 1907
Técnica:
Oil on canvas
Medidas:
91 x 79 cm
Úbicacion:
Carmen Thyssen-Bornemisza Collection on deposit at Museo Thyssen-Bornemisza
Numero de inventario
INV. Nr. (CTB.1987.21)

More information about this work




Raoul Dufy devoted a large portion of his work to capturing the small pleasures of modern life. Having trained in Le Havre, in 1900 he moved to Paris to study with Léon Bonnat. His first contributions to the Salon des Indépendants (in 1903, 1904 and 1905) reveal a simplified variety of Impressionism, derived from Eugène Boudin and Claude Monet. En 1905, however, his viewing of Matisse’s Luxe, calme et volupté led him away from naturalistic Impressionism and to understand, in his own words, the “miracle of imagination at play in line and color.”

The Little Palm Tree was probably painted in 1907. As the title itself indicates, the main subject of the composition is a potted palm tree sitting atop a folding chair. Behind it, a path winds toward a blue door. On either side flowers and shrubbery grow, suggesting an indoor garden. In any case, it is a private, domestic space in which one’s eyes may rest from the intense glare of the light outside. The distinct magenta brushstrokes recall certain Neo-Impressionist canvases or even Matisse’s Luxe, calme et volupté. Meanwhile, Dufy’s use of black (abolished from the palette of the Les Fauves), is striking. Likewise, rather than primary colours, Dufy employs subtle gradations of greens and reds, and the pot’s high vantage point recalls some of the still-lifes by Cézanne, died in October 1906.

Juan Ángel López-Manzanares

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

We use our own cookies and those of third-parties to analyze the use of our website and display personalized advertising. If you continue browsing, we will consider that you consented to its use. For more information see our Cookie Policy.