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Hubert Givenchy

From 22 October to 18 January 2014

Limited entry numbers. Early booking is recommended



Autor:
Robert Doisneau
Título:
Hubert de Givenchy
Fecha:
1960
Ubicacion:
© Robert Doisneau

American Impressionism

From 04 November 2014 to 01 February 2015

Limited entry numbers. Early booking is recommended



Autor:
Mary Cassatt
Título:
Autumn, 1880 (detail)
Técnica:
Oil on canvas
Medidas:
92,5 x 65,5 cm

Ubicacion:
Musée des Beaux Arts de la Ville de Paris, Petit Palais, París, PPP00706 © Petit Palais/Roger Viollet

Thyssen-Bornemisza Collection

Autor:
John Frederick Peto
Título:
Afternoon Sailing
Fecha:
ca. 1890
Técnica:
Oil on canvas
Medidas:
30.5 x 50.9 cm
Úbicacion:
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 701 (1982.18)

More information about this work




Afternoon Sailing is one of the rare landscapes painted by John Frederick Peto, an artist known for his still lifes. This luminous and open painting with its golden sand, sea and sky contrasts with his crammed, sombre studies of objects. Nonetheless, there is a special conceptual link between the two genres, since, as John Wilmerding points out, Peto “always [...] thought in still-life terms, so that his landscapes acquired the intimate charm of an interior studio arrangement, while his actual still-life paintings aspired to the monumentality and breadth of a personal landscape environment.”

The landscape in the Thyssen-Bornemisza collection was probably painted by Peto in 1890, following his permanent move from Philadelphia to the New Jersey coast. It depicts Toms River, a coastal town near his home in Island Heights. Although it displays a certain amount of influence of the seascapes painted by Thomas Eakins in 1870, the work is in keeping with Peto’s particular style. Wilmerding provides a psychological interpretation of the choice of this solitary spot with the sole presence of a small sailboat as a reflection of Peto’s intended retirement from the art scene.

Paloma Alarcó

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