Museo Thyssen-Bornemisza - Inicio

Toms River is one of the finest of John Frederick Peto’s late works and a good example of the complexity his painting attained. It is among the works known as rack pictures, which evidence his interest in illusionism. As on other occasions, the subject matter is closely linked to the artist’s family environment and depicts in trompe l’oeil fashion a shabby, bleached wooden frame surrounding a wooden wall to which are affixed torn papers and the portrait of a man, the subject of the work. In the lower left corner, just above the inscription “Toms River / 1905”, are the initials “HH” which belong to the subject, his maternal grandfather Hoffman Ham, in whose house Peto was raised by his maternal aunts Margaret, Mary and Louisa. Although apparently a photograph, it is not rendered with photographic precision of stroke, indicating Peto’s interest in distinguishing between art and illusion. As Wilmerding states, “Peto brings us to the verge of illusionism, only to assert ultimately the primacy of paint []”Furthermore,. the association of the star of David in the lower right corner with suffering could have further personal connotations since, as Katherine EManthorne. points out, it may be a reference to his father’s death and his own hardships and domestic strife

. Paloma Alarcó