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Raoul Dufy

From 17 February to 17 May 2015

Early booking is recommended



Autor:
Raoul Dufy
Título:
Open Window, Nice, 1928
Técnica:
Oil on canvas
Medidas:
65,1 x 53,7 cm

Ubicacion:
The Art Institute of Chicago, Joseph Winterbotham Collection
© Raoul Dufy / VEGAP / Madrid, 2015

Paul Delvaux: A Walk with Love and Death

From 24 February to 07 June 2015

Early booking is recommended



Autor:
Paul Delvaux
Título:
The Table, 1946
Técnica:
Oil on canvas
Medidas:
86 x 76 cm

Ubicacion:
Private Collection on deposit at Musée d´lxelles, Brusssels
© Foundation Paul Delvaux, Koksijde, Belgium / VEGAP – SABAM – 2015
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Thyssen-Bornemisza Collection

Autor:
Alberto Giacometti
Título:
Reclining Nude from the Back
Fecha:
1959
Técnica:
Ink on paper
Medidas:
26 x 37 cm
Úbicacion:
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 553 (1972.5)

More information about this work




Drawing was not only the basis of Giacometti’s entire artistic output but also a means of expression in its own right. As he commented in a letter to his dealer friend Pierre Matisse, he drew tirelessly and copied numerous sculptures: “from early on I drew a lot and painted. Together with drawings made from life or after illustrations, I often copied paintings and reproductions of sculptures.” Jacques Dupin wrote in this connection that Giacometti “by copying what he sees (as his father taught him from early childhood) hopes to give consistency to the reality that escapes him, to learn to see it, to hold on to it, accordingly to assert himself before it.”

The present Reclining Nude from the Back in the Museo Thyssen-Bornemisza collection, dated 1959, reproduces a classic model in painting, which may refer both to Velázquez’s Toilet of Venus and to Matisse’s nudes. The anatomical curves of the figure are sharply modelled by the hand of a sculptor who wishes to clearly denote the volumes. With the repetition of nervously drawn lines, the artist permanently confines to the paper’s surface the image captured by his gaze. The hint of perspective, using only a few brief strokes, also reveals his intention to create volume and to emphasise that the figure occupies a place in space.

Paloma Alarcó

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

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