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Hyperrealism. 1967-2012

22 March to 9 June 2013

Advance purchase is recommended

Autor:
Tom Blackwell
Título:
Triumph Trumpet (detail)
Fecha:
1977
Técnica:
Oil on canvas
Medidas:
180 x 180 cm.

Ubicacion:
Private Collection, New York.
image © Tom Blackwell photo © Louis K. Meisel Gallery, New York

<exchanging gazes> 5: Interior Scenes. Women and Daily Life.

New Display of the Collections

From 26 February to 10 June 2013

Autor:
Nicolas Maes
Título:
The Naughty Drummer
Fecha:
c. 1655
Técnica:
Museo Thyssen-Bornemisza, Madrid. Nr. INV. 241 (1930.56)
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Thyssen-Bornemisza Collection

Autor:
Winslow Homer
Título:
Deer in the Adirondacks
Fecha:
1889
Técnica:
Watercolor on paper
Medidas:
35.5 x 50.7 cm
Úbicacion:
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 590 (1981.43)

More information about this work

The famous book by the Bostonian Reverend William Murray, Adventures in the Wilderness, published in 1869, which narrates his hunting and fishing adventures in the Adirondack Mountains, aroused a growing interest in visiting the area. Winslow Homer, who was a great fishing enthusiast, spent several weeks every year with his brother Charles in the forests of these mountains in New York state after the two became founding members of the North Wood Club, a private game and fishing preserve, in 1886. This northern scenery of deserted forests and lakes and rivers of matchless beauty inspired him to paint nearly a hundred magnificent watercolour pictures capturing fishing and deer hunting scenes as well as the devastating effects of the timber industry on forests

In. Deer in the Adirondacks, Homer masterfully conveys the spot’s silent calm that is disturbed only by the presence of a deer swimming through the tranquil waters and a dog steering the prey towards the hunter from the opposite bank. As David Tatham states, deer hunting was a recurrent theme in Homer’s watercolours between 1889 and 1892. Painted entirely outdoors, they show different moments in the characteristic manner of hunting down deer using dogs. According to this practice, which is forbidden today, the dog would drive the deer into the water, where the hunters awaited it in a boat. Although humans occasionally feature in the paintings in this series, the main subjects are always the natural inhabitants of the forests

The. work was part of a set of over thirty watercolours that were bought by the famous Boston collector Edward W. Hooper in 1890 and remained in his family’s possession until 1978.

Paloma Alarcó

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