Museo Thyssen-Bornemisza - Inicio

Versión española

Buy tickets

The Illusion of the American Frontier

From 03 November 2015 to 07 February 2016

Early booking is recommended

Edward S. Curtis
An Oasis in the Badlands (detail), 1905
Photography, gelatin silver. 15.2 x 20.2 cm
Prints & Photographs Division, Library of Congress, Washington, D. C.

Thyssen-Bornemisza Collection

Yurii Annenkov
Amiens Cathedral
Collage, wood, cardboard and wire on paper
85 x 66.5 cm
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 453 (1981.72)

More information about this work

Yurii Annenkov studied in Paris with Maurice Denis and Félix Vallotton from 1911 to 1912. On returning to Saint Petersburg he embarked on his artistic career as a set designer and portraitist. Prominent among his experimental set designs are Gas by George Kaiser and Revolt of the Machines by Alexei Tolstoy. Unlike other Russian avant-garde artists, he never embraced Cubo-Futurism or Constructivism, though he enjoyed flowing relationships with Larionov, Rozanova and Tatlin, and was a member of the Union of Youth, an important Saint Petersburg cultural centre that organized exhibitions and published and sold books. Even so, the artist was not indifferent to the widespread trend towards industrial art and the supplanting of art by the precision of the machine, and many of his compositions therefore fall into the category of geometric abstraction.

Amiens Cathedral belongs to a set of abstract assemblages created between 1918 and 1921 in which Annenkov sought to combine tradition and avant-garde. In all the compositions in this series he inserted collages of images of the past into an abstract geometric construction, which has sometimes been interpreted as a double ironic play on nostalgia and revolution. In the Museo Thyssen-Bornemisza composition, the artist inserts a postcard of Amiens’s famous Gothic cathedral into an abstract relief built from a collage of wood and various other materials. Annenkov has written in Cyrillic characters on the postcard “Souvenir of my marvellous trip. Yurii, 1912. Amiens.”

Paloma Alarcó

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

We use our own cookies and those of third-parties to analyze the use of our website and display personalized advertising. If you continue browsing, we will consider that you consented to its use. For more information see our Cookie Policy.