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Vogue like a painting

From 30 June to 12 October 2015

Early booking is recommended

Peter Lindbergh
One enchanted evening, Taormina, Sicilia (detail)

Zurbarán. A New Perspective

From 9 June to 13 September 2015

Extended summer hours

Francisco de Zurbarán
Saint Serapion, 1628
Oil on canvas, 120.2 x 104 cm
Hartford, Wadsworth Atheneum Museum of Art, CT.
The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund

Thyssen-Bornemisza Collection

Victor Servranckx
Opus 17-1922
Oil and silver paint on canvas
133.5 x 38 cm
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 749 (1977.111)

More information about this work

Taking as his basis the influence of Cubism and Constructivism , the Belgian abstract painter Victor Servranckx developed a highly personal geometric style close to the purism of Ozenfant and Le Corbusier. His painting , executed with a geometrical precision that brings to mind the aesthetic of machines and coincides with certain of Léger’s tubular forms , is magnificently represented by the present canvas in the Thyssen-Bornemisza collection. Dated in 1922 and entitled Opus 17–1922 , it is described by M. Bochow-Goltz as a pictorial equivalent of modern technology and architecture on account of its cold and exact rationality.

The work was first published in 1924 in an article in the magazine L’Esprit Nouveau marking the exhibition of the artist’s work organised by Léonce Rosenberg at L’Effort Moderne gallery in Paris that year.

Paloma Alarcó

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

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