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Paul Delvaux: A Walk with Love and Death

From 24 February to 07 June 2015

Early booking is recommended



Autor:
Paul Delvaux
Título:
The Table, 1946
Técnica:
Oil on canvas
Medidas:
86 x 76 cm

Ubicacion:
Private Collection on deposit at Musée d´lxelles, Brusssels
© Foundation Paul Delvaux, Koksijde, Belgium / VEGAP – SABAM – 2015

Zurbarán. A New Perspective

From 9 June to 13 September 2015

Advance booking already available



Autor:
Francisco de Zurbarán
Título:
Saint Serapion, 1628
Técnica:
Oil on canvas, 120.2 x 104 cm
Ubicacion:
Hartford, Wadsworth Atheneum Museum of Art, CT.
The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund

Thyssen-Bornemisza Collection

Autor:
Ben Shahn
Título:
Carnival
Fecha:
1946
Técnica:
Tempera on masonite
Medidas:
56 x 75.5 cm
Úbicacion:
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 756 (1979.71)

More information about this work




Ben Shahn, as much a photographer as he was a painter, often used photographs as a starting point for his paintings. In Carnival he juxtaposes an image from a photograph of a sleeping funfair stallholder with one of a couple enjoying a fairground ride. However, he uses photographs in his painting to tell a substantially different story: the stallholder asleep on the counter of a target shooting stall in the photograph becomes a sleeping visitor to the funfair, lying placidly on a bench next to a couple with their backs to the viewer, while the couple on one of the rides, in the background, takes on a rather unreal appearance in the painting as they are hovering in an indeterminate space.

Shahn creates an abstraction of his own photographs by eliminating all superfluous detail and, by decontextualising the figures and compressing the space, infuses the work with a surrealistic air and makes it a reflection on the human condition. The scene, which might otherwise appear to be a peaceful festive afternoon, is transformed by the unreal atmosphere into the visual representation of the main figure’s dream. According to Gail Levin, it is the dream of a solitary man about longing to be part of a couple; she thus interprets the painting as an expression of the feeling of loneliness.

Paloma Alarcó

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

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