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Paul Delvaux: A Walk with Love and Death

From 24 February to 07 June 2015

Early booking is recommended



Autor:
Paul Delvaux
Título:
The Table, 1946
Técnica:
Oil on canvas
Medidas:
86 x 76 cm

Ubicacion:
Private Collection on deposit at Musée d´lxelles, Brusssels
© Foundation Paul Delvaux, Koksijde, Belgium / VEGAP – SABAM – 2015

Zurbarán. A New Perspective

From 9 June to 13 September 2015

Advance booking already available



Autor:
Francisco de Zurbarán
Título:
Saint Serapion, 1628
Técnica:
Oil on canvas, 120.2 x 104 cm
Ubicacion:
Hartford, Wadsworth Atheneum Museum of Art, CT.
The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund
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  • La Giuseppina. The Ring

Thyssen-Bornemisza Collection

Autor:
Walter Sickert
Título:
La Giuseppina. The Ring
Fecha:
1903-4
Técnica:
Oil on canvas
Medidas:
45.7 x 38.2 cm
Úbicacion:
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 759 (1981.74)

More information about this work




During his stay in Venice from autumn 1903 to summer 1904, the British painter Walter Sickert painted a series of female portraits, mostly in indoor settings showing the subjects seated on the flowerpatterned armchair of his house on the Calle dei Frati . The portrait of Giuseppina in the Thyssen-Bornemisza collection is directly related to other works for which the same young woman had posed — such as the seated Giuseppina — and to Carolina, another of his favourite models, who is depicted in The Venetian Shawl . In all these paintings the sitters are placed in an armchair parallel to the picture plane, and there is a shadow on the left, the same range of dull colours is also used and the manner of modelling contours and juxtaposing colours is also similar. Whereas in the painting of Carolina what gave the painting substance was the shawl covering her shoulders, in the Giuseppina in the collection the painter emphasises the ring at which the young woman gazes with outstretched hand. Furthermore, the casual air the scene has about it and the manner in which the figure is set against a background without depth indicate the influence of Degas.

Paloma Alarcó

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

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