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Hubert Givenchy

From 22 October to 18 January 2014

Limited entry numbers. Early booking is recommended



Autor:
Robert Doisneau
Título:
Hubert de Givenchy
Fecha:
1960
Ubicacion:
© Robert Doisneau

American Impressionism

From 04 November 2014 to 01 February 2015

Limited entry numbers. Early booking is recommended



Autor:
Mary Cassatt
Título:
Autumn, 1880 (detail)
Técnica:
Oil on canvas
Medidas:
92,5 x 65,5 cm

Ubicacion:
Musée des Beaux Arts de la Ville de Paris, Petit Palais, París, PPP00706 © Petit Palais/Roger Viollet

Thyssen-Bornemisza Collection

Autor:
Henri de Toulouse-Lautrec
Título:
Yvette Guilbert
Fecha:
1893
Técnica:
Gouache and charcoal on paper
Medidas:
54 x 37.5 cm
Úbicacion:
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 772 (1974.27)

More information about this work




Henri de Toulouse-Lautrec always harboured a keen fascination with the world of the theatres and cafés-concerts of Paris, which he depicted in numerous works, exhibiting his impressive powers of observation. The famous singer Yvette Guilbert (1867‒1944), a genuine star of the Divan Japonais, Ambassadeurs and Moulin Rouge cabarets in fin-de-siècle Paris, had met Toulouse Lautrec at the beginning of 1893 through the writer Maurice Donnay and had become one of the painter’s favourite vedettes . In this portrait, which was used to illustrate Gustave Geffroy’s article on cafésconcerts in Le Figaro Illustré in 1893, Yvette is depicted on the edge of the stage, in a stiff pose — haughty even — about to perform the de rigueur curtsey between rounds of applause. According to the singer’s memoirs, he had copied her chignon and pale makeup from a wax head in the Musée de Lille and her long V-necked dress from Albert Besnard’s Portrait of Mme Roger Jourdain.

For a time the work belonged to the French silent film actor Max Linder (Maximilien Gabriel Leuvielle, 1883–1925).

Paloma Alarcó

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