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Vogue like a painting

From 30 June to 12 October 2015

Early booking is recommended

Peter Lindbergh
One enchanted evening, Taormina, Sicilia (detail)

Zurbarán. A New Perspective

From 9 June to 13 September 2015

Extended summer hours

Francisco de Zurbarán
Saint Serapion, 1628
Oil on canvas, 120.2 x 104 cm
Hartford, Wadsworth Atheneum Museum of Art, CT.
The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund

Thyssen-Bornemisza Collection

Raphael Soyer
Self Portrait
Oil on canvas
61 x 50.8 cm
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 762 (1981.41)

More information about this work

The Jewish painter of Russian origin Raphael Soyer, like his twin brother Moses, was a prominent figure on the New York art world as a major practitioner of the urban realism advocated by the members of the American Scene. Raphael remained faithful to this language throughout his artistic career, as can be seen in this late Self-Portrait belonging to the Museo Thyssen-Bornemisza collection.

In addition to urban scenes, Soyer was strongly attracted to portraiture. He produced a large number of self portraits, in addition to many portraits of his relatives and friends. This outstanding example is a frontal image of the artist at his easel in the solitude of his New York studio. It was executed in 1980, shortly after his diaries were published, and may therefore be regarded as an act of recapitulation and self-exploration.

The direct, solemn figure of the painter, by then in his eighties, stands out against the whiteness of the background wall that is half plastered following a repair, and on which hangs a small copy of Masaccio’s Tribute Money, the scene portrayed in the famous fresco paintings in the Brancacci chapel. With its simple setting and total absence of conceit and the inquiring expression the subject wears, the portrait captures the painter’s warm, straightforward personality.

Paloma Alarcó

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

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