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Alma-Tadema and Victorian Painting
in the Pérez-Simón Collection

From 25 June to 12 October 2014 (extended closing date)



Autor:
Sir Lawrence Alma-Tadema
Título:
The Roses of Heliogabalus (detail)
Fecha:
1888
Técnica:
Oil on canvas
Medidas:
132.7 x 214.4 cm

Ubicacion:
Pérez-Simón Collection, Mexico

Carmen in Spanish collections

From 7 October until 9 November 2014

Special Collaborative Exhibition. Free entry



Autor:
Pablo Picasso
Título:
Femme de profil à l’éventail, 1964, illustrations for the book Le Carmen des Carmen by Prosper Mérimée and Louis Aragon
Fecha:
1964
Ubicacion:
Fundación Bancaja Collection
© Sucesión Pablo Picasso, VEGAP, Madrid, 2014

Thyssen-Bornemisza Collection

Autor:
Raphael Soyer
Título:
Self Portrait
Fecha:
1980
Técnica:
Oil on canvas
Medidas:
61 x 50.8 cm
Úbicacion:
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 762 (1981.41)

More information about this work




The Jewish painter of Russian origin Raphael Soyer, like his twin brother Moses, was a prominent figure on the New York art world as a major practitioner of the urban realism advocated by the members of the American Scene. Raphael remained faithful to this language throughout his artistic career, as can be seen in this late Self-Portrait belonging to the Museo Thyssen-Bornemisza collection.

In addition to urban scenes, Soyer was strongly attracted to portraiture. He produced a large number of self portraits, in addition to many portraits of his relatives and friends. This outstanding example is a frontal image of the artist at his easel in the solitude of his New York studio. It was executed in 1980, shortly after his diaries were published, and may therefore be regarded as an act of recapitulation and self-exploration.

The direct, solemn figure of the painter, by then in his eighties, stands out against the whiteness of the background wall that is half plastered following a repair, and on which hangs a small copy of Masaccio’s Tribute Money, the scene portrayed in the famous fresco paintings in the Brancacci chapel. With its simple setting and total absence of conceit and the inquiring expression the subject wears, the portrait captures the painter’s warm, straightforward personality.

Paloma Alarcó

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