Hyperrealism. 1967-2012
22 March to 9 June 2013
Advance purchase is recommended
<exchanging gazes> 5: Interior Scenes. Women and Daily Life.
New Display of the Collections
From 26 February to 10 June 2013
Nadeshda Udaltsova first came into contact with the Cubist movement while training under Henri Le Fauconnier and Jean Metzinger in Paris .When she took part in the Jack of Diamonds exhibition in Moscow that brought together the advocates of a return to Cézanne and the followers of Cubist painting in 1914, it was already clear that Cubism had become a fundamental language for her. Even when she later joined the Supremus group and followed the guidelines of Suprematism , her style was closer to Cubism than to Suprematism strictly speaking.
Programmatically entitled Cubism, the painting in the Thyssen-Bornemisza collection is one of her characteristic depictions of the Cubist urban landscape. As in the Cubist visions of streets painted by fellow Russian Olga Rozanova , Udaltsova provides a fragmented glimpse of the city in which rays and lines of force coexist alongside inscriptions borrowed from the analytical Cubism of Picasso and Braque.
Paloma Alarcó
Red Cufflinks
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Necklace The Kimono
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Case with Mugs Delaunay
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T-shirt Self-Portrait (Size L)
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Blue Vase Morandi
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Catalogue of the Exhibition Hyperrealism 1967-2012 (Spanish edition)
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Bottles and Vases Paul Klee
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White Vase Morandi
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Bag Telephone Booths
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Bag Paul Klee
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Bag Wayuu
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Blue Cufflinks
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T-shirt Countess of Dartmouth (Size M)
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Pendant Vincent van Gogh
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Yellow Vase Morandi
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© 2009 Museo Thyssen-Bornemisza
Paseo del Prado 8, 28014 Madrid, España