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American Impressionism

From 04 November 2014 to 01 February 2015

Limited entry numbers. Early booking is recommended



Autor:
Mary Cassatt
Título:
Autumn, 1880 (detail)
Técnica:
Oil on canvas
Medidas:
92,5 x 65,5 cm

Ubicacion:
Musée des Beaux Arts de la Ville de Paris, Petit Palais, París, PPP00706 © Petit Palais/Roger Viollet

Raoul Dufy

From 17 February to 17 May 2014

Advance booking already available



Autor:
Raoul Dufy
Título:
Open Window, Nice, 1928
Técnica:
Oil on canvas
Medidas:
65,1 x 53,7 cm

Ubicacion:
The Art Institute of Chicago, Joseph Winterbotham Collection
© Raoul Dufy / VEGAP / Madrid, 2015

Thyssen-Bornemisza Collection

Autor:
Nadeshda Udaltsova
Título:
Cubism
Fecha:
1914
Técnica:
Oil on canvas
Medidas:
72 x 60 cm
Úbicacion:
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 776 (1984.19)

More information about this work




Nadeshda Udaltsova first came into contact with the Cubist movement while training under Henri Le Fauconnier and Jean Metzinger in Paris .When she took part in the Jack of Diamonds exhibition in Moscow that brought together the advocates of a return to Cézanne and the followers of Cubist painting in 1914, it was already clear that Cubism had become a fundamental language for her. Even when she later joined the Supremus group and followed the guidelines of Suprematism , her style was closer to Cubism than to Suprematism strictly speaking.

Programmatically entitled Cubism, the painting in the Thyssen-Bornemisza collection is one of her characteristic depictions of the Cubist urban landscape. As in the Cubist visions of streets painted by fellow Russian Olga Rozanova , Udaltsova provides a fragmented glimpse of the city in which rays and lines of force coexist alongside inscriptions borrowed from the analytical Cubism of Picasso and Braque.

Paloma Alarcó

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