Museo Thyssen-Bornemisza - Inicio

Versión española

Buy tickets

The Illusion of the American Frontier

From 03 November 2015 to 07 February 2016

Early booking is recommended

Edward S. Curtis
An Oasis in the Badlands (detail), 1905
Photography, gelatin silver. 15.2 x 20.2 cm
Prints & Photographs Division, Library of Congress, Washington, D. C.

Biography and Works

Michele Marieschi
Venice, 1710-1743


Little is known of Marieschi’s training. In the Abecedario pittorico of 1753 his first biographers, Orlandi and Guarienti, state that as a young man Marieschi worked in Germany, but there is no documentary proof of this statement. It is more likely that he began as a designer of theatrical sets and other decorative schemes, although recent research also suggests that the may have trained with the history painter Gaspare Diziani. The first documentary reference to Marieschi refers to his participation in 1731 in the decoration of the Piazzetta in Venice for Carnival

Marieschi. began to work as an independent master from the second half of the 1730s. He is only recorded in the fraglia or painters’ guild in Venice for five years, from 1736 to 1741. Initially, and influenced by the work of Marco Ricci and Luca Carlevarijs, Marieschi painted capriccios, including the early examples Capriccio with classical Ruins and Bridge and Capriccio with Roman Arch and Encampment (Museo Civico Gaetano Filangeri, Naples). Shortly after this period Marieschi also turned his attention to view paintings, undoubtedly encouraged by Canaletto’s growing success in this field

The. chronology of Marieschi’s output is difficult to establish as the only recorded dates for his works are those of the twelve compositions painted between 1736 and 1738 for Marshal Schulenburg, his most important client. In 1741 Marieschi published a series of prints including a self-portrait and twenty-one views of Venice entitled Magnificentiores selectioresque urbis Venetiarum prospectus. He died young at the age of thirty-two. His most gifted pupil and follower was Francesco Albotto


© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

We use our own cookies and those of third-parties to analyze the use of our website and display personalized advertising. If you continue browsing, we will consider that you consented to its use. For more information see our Cookie Policy.