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Hyperrealism. 1967-2012

22 March to 9 June 2013

Advance purchase is recommended

Autor:
Tom Blackwell
Título:
Triumph Trumpet (detail)
Fecha:
1977
Técnica:
Oil on canvas
Medidas:
180 x 180 cm.

Ubicacion:
Private Collection, New York.
image © Tom Blackwell photo © Louis K. Meisel Gallery, New York

<exchanging gazes> 5: Interior Scenes. Women and Daily Life.

New Display of the Collections

From 26 February to 10 June 2013

Autor:
Nicolas Maes
Título:
The Naughty Drummer
Fecha:
c. 1655
Técnica:
Museo Thyssen-Bornemisza, Madrid. Nr. INV. 241 (1930.56)
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Biography and Works

Author:
Salomon Jacobsz. van Ruysdael
Born/Dead:
Naarden, ca. 1600-Haarlem, 1670
Date:
Works

Biography

Ruysdael was a Dutch painter from a family of artists. He was the father of Jacob Salomonsz,. the brother of Isaacksz. and the uncle of Jacob Issacksz. van Ruisdael. His real name was Salomon de Goyer but he and his brother adopted the surname of Ruysdael, taken from a castle near the family home. The name of Ruysdael’s master is not known. He lived and worked throughout his career in Haarlem although it is possible that he might have travelled as his subject-matter includes views of cities such as Leiden, Utrecht, Amersfoort, Arnhem, Alkmaar and Rhenen

By. 1623 Ruysdael was a member of the painters’ guild in Haarlem although his first known works date from 1627, including Winter Landscape with Skiers (Kunsthistorisches Museum, Vienna). During this phase his style was notably influenced by that of Van de Velde, Hendrick Avercamp and Pieter de Molijn. His preferred themes were landscape with small figures, marine views and depictions of rivers. During the 1630s he and Van Goyen formed part of the group of so-called “tonal” painters whose paintings were characterised by a very limited chromatic range of greens, greys, yellows, browns and blues. From the mid-1640s, however, Ruysdael embarked on a new approach and introduced a greater variety of colours in more intense tones. He placed particular emphasis on clouds, which he depicted in a unique and highly individual manner. During his last years Ruysdael moved away from a naturalistic approach to landscape and imbued his scenes with a grandeur and refinement that brings them close to the Italianate painters. At this period he also executed still lifes, of which only a small number have survived

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