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Raoul Dufy

From 17 February to 17 May 2015

Early booking is recommended



Autor:
Raoul Dufy
Título:
Open Window, Nice, 1928
Técnica:
Oil on canvas
Medidas:
65,1 x 53,7 cm

Ubicacion:
The Art Institute of Chicago, Joseph Winterbotham Collection
© Raoul Dufy / VEGAP / Madrid, 2015

Paul Delvaux: A Walk with Love and Death

From 24 February to 07 June 2015

Early booking is recommended



Autor:
Paul Delvaux
Título:
The Table, 1946
Técnica:
Oil on canvas
Medidas:
86 x 76 cm

Ubicacion:
Private Collection on deposit at Musée d´lxelles, Brusssels
© Foundation Paul Delvaux, Koksijde, Belgium / VEGAP – SABAM – 2015

Biography and Works

Author:
Tom Wesselmann
Born/Dead:
Cincinnati, 1931-New York, 2004
Date:
Works

Biography




Famous for his large female nudes, the painter Tom Wesselmann embraced the artistic sensibility that dominated the American art scene of the early 1960s and was known as Pop Art

Wesselmann’s. first foray into the art world came when he was conscripted in 1952 during the Korean war and, while serving in Kansas, produced a series of comic strips criticising military life. In 1954 he resumed his psychology studies at the University of Cincinnati and in 1956, after finishing his degree, he decided to become a professional cartoonist and moved to New York. There he studied at the Cooper Union School of Art and Architecture and finally, after graduating, he decided to take up painting

Wesselmann’s. beginnings as a painter were marked by the influence of Willem de Kooning and his interest in creating a new approach to real objects. His later work denotes the presence of certain aspects of Matisse, Van Gogh and Modigliani. The collages dating from this periodmade, from cuttings of advertisements, represented female nudes or still-life scenes, which foreshadowed the two major themes that were repeated throughout his lifetime. In 1961, the year that the Tanager Gallery first exhibited his work, he started on his Great American Nude series. In these large, intensely coloured female nudes, Wesselmann eschewed detail in order to convert the image of the female body into a depersonalised sex symbol. The eroticism of these images became increasingly marked as his career progressed.

In 1980 he wrote an autobiography which he signed under the pseudonym Slim Stealingworth

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© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

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