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Hubert Givenchy

From 22 October to 18 January 2014

Limited entry numbers. Early booking is recommended

Robert Doisneau
Hubert de Givenchy
© Robert Doisneau

American Impressionism

From 04 November 2014 to 01 February 2015

Limited entry numbers. Early booking is recommended

Mary Cassatt
Autumn, 1880 (detail)
Oil on canvas
92,5 x 65,5 cm

Musée des Beaux Arts de la Ville de Paris, Petit Palais, París, PPP00706 © Petit Palais/Roger Viollet
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Thyssen-Bornemisza Collection

Eugène Boudin
The Square of the Church of Saint Vulfran in Abbeville
Oil on panel
44.5 x 37 cm
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 476 (1969.12)

More information about this work

Although Eugène Boudin always felt particularly attached to his native Normandy , where he regularly worked, in the middle of the century he began to travel frequently around Brittany and northern France , Belgium and the Netherlands . In 1884, while staying in Abbeville , a town north of Amiens in the region of Picardy , he produced this small panel painting of an urban scene entitled The Square of the Church of Saint Vulfran . The rigid, geometrised façade of the flamboyant Gothic style church that dominates the right side of the painting contrasts with the fluidity of the clouds, which occupy most of the left-hand side of the composition on account of the very low horizon line and envelop the entire painting with their luminosity.

As with most of his small works, it was almost certainly painted from life, as the artist reserved his studio for larger paintings. Boudin, who taught Claude Monet to paint en plein air and exerted great influence on the Impressionists, with whom he showed his work at the group’s first major exhibition in 1874, eschewed picturesque description in his final period in order to directly capture atmospheric and light effects. As the artist himself stated, “three brushstrokes executed outdoors are worth much more than ten days painting in the studio.”

Paloma Alarcó

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