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Alma-Tadema and Victorian Painting
in the Pérez-Simón Collection

From 25 June to 12 October 2014 (extended closing date)

Sir Lawrence Alma-Tadema
The Roses of Heliogabalus (detail)
Oil on canvas
132.7 x 214.4 cm

Pérez-Simón Collection, Mexico

Carmen in Spanish collections

From 7 October until 9 November 2014

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Pablo Picasso
Femme de profil à l’éventail, 1964, illustrations for the book Le Carmen des Carmen by Prosper Mérimée and Louis Aragon
Fundación Bancaja Collection
© Sucesión Pablo Picasso, VEGAP, Madrid, 2014
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Thyssen-Bornemisza Collection

Ben Shahn
Four Piece Orchestra
Tempera on masonite
45.7 x 60.1 cm
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 754 (1977.42)

More information about this work

Four Piece Orchestra shows three members of an improvised or amateur band in a greatly simplified outdoor setting, seated on a wooden bench in a park or village square. As in other paintings by Ben Shahn, the image is inspired by one of his photographs. In an interview with Richard Doud in 1964, Shahn confessed that his need to take photographs had arisen precisely from the sight of a street band: “I was working around 14th Street and that group of blind musicians were constantly playing there, I would walk in front of them and sketch, and walk backwards and sketch and I found it was inadequate. So I asked my brother to buy me a camera because I didn’t have the money for it.”

Except for the cello, all the instruments are typical of popular music; indeed, perhaps this is why the artist draws a distinction between the working-class garb of the violinist and guitarist and the dark, formal suit of the cellist. The solemnity of the image led Gail Levin to interpret it as an allegory in which the members of the orchestra symbolise a situation alien to them which, judging by the date of the painting, could be the Second World War.

Paloma Alarcó

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