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Vogue like a painting

From 30 June to 12 October 2015

Early booking is recommended

Peter Lindbergh
One enchanted evening, Taormina, Sicilia (detail)

Zurbarán. A New Perspective

From 9 June to 13 September 2015

Extended summer hours

Francisco de Zurbarán
Saint Serapion, 1628
Oil on canvas, 120.2 x 104 cm
Hartford, Wadsworth Atheneum Museum of Art, CT.
The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund

Thyssen-Bornemisza Collection

El Lissitzky
Proun 5 A
22 x 17.5 cm
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 650 (1977.103)

More information about this work

El Lissitzky expressed his political concerns in his art by embracing a formalist trend that led him to abstraction. In his Proun paintings, which he created as a metaphor of the changes society was undergoing, the artist harmoniously combined the flat surface advocated by the Suprematists with the laws of Constructivist architecture. In these compositions, which are notable for the precision of their forms, their balance and their clarity, he uses architectural devices but strips them of their architectural function and gives them a new aesthetic value. Furthermore, in his Proun paintings Lissitzky found a way of reconciling Tatlin’s utilitarian ideas with Malevich’s Utopian aesthetic and succeeded in developing Suprematism in space.

The Museo Thyssen-Bornemisza Proun 5 A is perhaps the closest to Malevich’s Suprematism. The composition is structured around a point above which geometrical shapes rotate or float. The artist’s son Yen Lissitzky certified the authenticity of the work in an inscription on the back of the painting in 1975. There are two watercolour versions of Proun 4 B, which might be preparatory studies for the work on canvas in the Thyssen-Bornemisza collection.

El Lissitzky became one of the key figures in European Constructivism in the mid-1920s and during the period he lived in Germany he exerted significant influence on the followers of this movement, particularly the members of the Dutch De Stijl group and the Bauhaus artists.

Paloma Alarcó

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

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