Thyssen-Bornemisza Museo Nacional Search Ir al contenido principal

Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
Visit Collection Exhibitions Activities Education Search
  • Visit
  • Collection
  • Exhibitions
  • Activities
  • Education

Thyssen - Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
©
Yurii Annenkov
Yurii Annenkov

Amiens Cathedral

1919
Collage, wood, cardboard and wire on Paper.
85 x 66.5 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
453
(
1981.72
)
Room 44
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Yurii Annenkov studied in Paris with Maurice Denis and Félix Vallotton from 1911 to 1912. On returning to Saint Petersburg he embarked on his artistic career as a set designer and portraitist. Prominent among his experimental set designs are Gas by George Kaiser and Revolt of the Machines by Alexei Tolstoy. Unlike other Russian avant-garde artists, he never embraced Cubo-Futurism or Constructivism, though he enjoyed flowing relationships with Larionov, Rozanova and Tatlin, and was a member of the Union of Youth, an important Saint Petersburg cultural centre that organized exhibitions and published and sold books. Even so, the artist was not indifferent to the widespread trend towards industrial art and the supplanting of art by the precision of the machine, and many of his compositions therefore fall into the category of geometric abstraction.

Amiens Cathedral belongs to a set of abstract assemblages created between 1918 and 1921 in which Annenkov sought to combine tradition and avant-garde. In all the compositions in this series he inserted collages of images of the past into an abstract geometric construction, which has sometimes been interpreted as a double ironic play on nostalgia and revolution. In the Museo Thyssen-Bornemisza composition, the artist inserts a postcard of Amiens’s famous Gothic cathedral into an abstract relief built from a collage of wood and various other materials. Annenkov has written in Cyrillic characters on the postcard “Souvenir of my marvellous trip. Yurii, 1912. Amiens.”

Paloma Alarcó
20th Century20th Century - European painting. Russian avant-gardeWork on paperCollage, wood, cardboard and wire Paper
Listen
Download image Print page

Products and publications

Kandinsky socks

Kandinsky socks

13.50 €

Gabriele Münter. Exhibition catalogue. Hardback. (Spanish + English bilingual edition)

Gabriele Münter. Exhibition catalogue. Hardback. (Spanish + English bilingual edition)

38.00 € 36.10 €

Arte Americano en la Colección Thyssen (Exhibition catalogue. Spanish)

Arte Americano en la Colección Thyssen (Exhibition catalogue. Spanish)

39.00 € 25.00 €

Hyperreal Pin stamp letter P

Hyperreal Pin stamp letter P

78.00 €

Visit online shop

More from the collection

El Lissitzky
El Lissitzky
Proun 5 A
1920
Kazimir Malevich
Kazimir Malevich
Suprematist Drawings
ca. 1919
El Lissitzky
El Lissitzky
Proun 1 C
1919
  • Private and/or didactic use
  • Commercial use
Private and/or didactic use
Amiens Cathedral. La catedral de Amiens, 1919
Amiens Cathedral
Yurii Annenkov

©

Yurii Annenkov

Terms of Use

The exploitation rights of the images correspond to the Fundación Colección Thyssen-Bornemisza, F.S.P. The Fundación authorizes the downloading of high-resolution images from its website for private use, use for educational and research purposes and non-commercial uses.

However, this work is protected by copyright. Therefore, regardless of the terms of use of the images set out by the Fundación, it will be necessary to obtain a license from the author or copyright holder known to the Fundacion in order to reproduce or exploit the work.

Use for educational and research purposes is understood as the non-commercial use of images in presentations, conferences, school or university work, in classes at regulated education institutions, as well as in academic publications, with a circulation of less than 1,000 copies, provided that it is non-profit.

Non-commercial use is understood as the use of the images in a context where no profit, monetary or commercial, is generated, directly or indirectly.

Any use other than those indicated above will require the prior written authorization of the Fundación.

Any request for educational and research use or for non-commercial use (including academic publications), should be directed by email to the Museum Photo Library through the email address archivo.fotografico@museothyssen.org. This department manages the worldwide distribution of the images of the works of the Museo Nacional Thyssen-Bornemisza and the management of their reproduction rights for those uses.

The user agrees to use the image of the website solely and exclusively for the purposes described above and in accordance with the following terms of use, which, however, do not apply to the reproduction of the works included in the photographs, as they are protected by Copyright.

Terms of use

  • If the image is used for reproduction, the work must be reproduced in its entirety. The image may not be manipulated, deformed, modified or altered in any way. In particular, no superposition (of images or texts) on the reproduction is allowed.
  • The reproduction of a detail or part of the work may only be made with the prior written authorization of the Fundación P. In this case, the credit line must include the following mention: “detail”.
  • Any total or partial reproduction of the images of the Fundación. that has been previously authorized must be accompanied by the copyright text indicated by the owners or their copyright holders as well as the following mention: Provenance: Museo Nacional Thyssen-Bornemisza, Madrid”.
  • The user will send free of charge to the Museum Photo Library. One (1) free copy of the edition, publication or reproduction to the following address: Archivo Fotográfico, Museo Nacional Thyssen-Bornemisza, Paseo del Prado, 8 28014 Madrid, Spain.
Download image
Commercial use
Amiens Cathedral. La catedral de Amiens, 1919
Amiens Cathedral
Yurii Annenkov

©

Yurii Annenkov

Terms of Use

The Photographic Archive of the Museo Nacional Thyssen-Bornemisza offers sale and rental service of photographic material of all the works on its Permanent Collection.

To request images or permits for commercial use in academic or research publications, that is, catalogues of other institutions, monographs and other specialized publications, you should contact the Museum's Commercial Archive by email at the e-mail @email.

To request images or permits for other commercial or advertising uses (general publications, merchandising, exhibitions, audio-visual works, web pages, etc.), you should contact the Museum's Commercial Archive by email at the e-mail @email.

The Photo Library and the Museum's Commercial Archive manage the worldwide distribution of images of the Museo Thyssen-Bornemisza works, as well as their reproduction rights. The applicable rates are calculated based on the nature and proposed use of the images, as well as the availability of the requested image.

Requests for scans or new photographs will be reviewed on a case-by-case basis. Once approved, an additional fee will apply. Re-photographing a work will require a minimum of six weeks to complete.

However, photographed works are protected by copyright. Therefore, regardless of the terms of use of the photographs set out below by the Foundation, it will be necessary to obtain a license from the author or copyright holder known to the Fundacion in order to reproduce or exploit the work.

Download image
Thyssen-Bornemisza Museo Nacional

Navegación secundaria (EN)

  • #Thyssenmultimedia
  • Press
  • Corporate events
  • Tourism
  • Join our team
  • Newsletter
Instagram
Facebook
X
Youtube
TikTok
iVoox
LinkedIn

The Museo Nacional Thyssen-Bornemisza would like to thanks for the collaboration of:

Fundación Mutua Madrileña Master Card Comunidad de Madrid
©2025 Thyssen-Bornemisza National Museum

Menú al pie (EN)

  • Legal terms and use of images
  • Public tenders
  • Transparency site
  • Accessibility and quality
  • Sustainability & 2030 Agenda
  • Contact
Ministry of Culture España es cultura | Spain is culture. The website promoting Spanish culture Paisaje de la Luz | Paseo del Prado y Buen Retiro. Paisaje de las Artes y las Ciencias
Certificación de Conformidad con el Esquema Nacional de Seguridad. Categoría Media. RD 311/2022