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©
Andrew Wyeth, VEGAP
Andrew Wyeth

My Young Friend

1970
Tempera on Masonite.
81.3 x 63.5 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
787
(
1978.74
)
ROOM 45
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Temporary exhibition rooms 54 Temporary exhibition rooms 55 Temporary exhibition rooms 56 Temporary exhibition rooms Rodin Exhibition room

The painstaking realism of the painter Andrew Wyeth has made him one of the most popular American artists. The present portrait executed in 1970, entitled My Young Friend, shows a girl positioned slightly to the left of the composition against the flat background, dressed in a thick cable knit sweater and a racoon hat. The sitter is Sissy Spruance, a twenty-year old stable girl who worked on a ranch near the painter’s home in Brandywine, Pennsylvania. According to Wyeth, the girl had caught his attention when riding: “One day I spotted her riding bareback over the meadow, her braided hair flying and those two long strands falling over her face. She was wearing that raccoon skin hat which I’ve never seen any other girl wear, as if she was an animal, not a human being.”

The portrait is painted in light, earthy shades — the artist’s favourite range of colours — using the traditional medium of tempera on a masonite panel. Wyeth began to experiment with this procedure in the 1930s, but it was from the early 1970s onwards that he achieved matchless mastery. The artist himself confessed that “tempera is, in a sense, like building, really building, in great layers the way the earth itself was built.” By applying the paint in successive fine layers he achieves such precision in capturing detail and texture that he manages to create a lifelike atmosphere and sense of timelessness which infuse his own particular brand of realism with a magical and mysterious air.

Paloma Alarcó

20th Centurys. XX - Realismos en NorteaméricaPaintingTemperaMasonite
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My Young Friend. Mi joven amiga, 1970
My Young Friend
Andrew Wyeth

©

Andrew Wyeth, VEGAP

Terms of Use

The exploitation rights of the images correspond to the Fundacion Coleccion Thyssen-Bornemisza, F.S.P. The Fundación authorizes the downloading of high-resolution images from its website for private use, use for educational and research purposes and non-commercial uses.

However, photographed works are protected by copyright. Therefore, regardless of the terms of use of the images set out below by the Foundation, it will be necessary to obtain a license from VEGAP (www.vegap.es), or from the corresponding collective management organization in the country where the work is going to be used or, where appropriate, from the holder of their rights in order to reproduce or exploit the work.

Use for educational and research purposes is understood as the non-commercial or advertising use of images in presentations, conferences, school or university work, in classes at regulated education institutions, as well as in academic publications, with a circulation of less than 1,000 copies, provided that it is non-profit.

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Any use other than those indicated above will require the prior written authorization of the Fundación.

Any request for educational and research use or for non-commercial use (including academic publications), should be directed by email to the Museum Photo Library through the email address archivo.fotografico@museothyssen.org. This department manages the worldwide distribution of the images of the works of the Museo Nacional Thyssen-Bornemisza and the management of their reproduction rights for those uses.

The user agrees to use the image of the website solely and exclusively for the purposes described above and in accordance with the following terms of use, which, however, do not apply to the reproduction of the works included in the photographs, as they are protected by Copyright.

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My Young Friend. Mi joven amiga, 1970
My Young Friend
Andrew Wyeth

©

Andrew Wyeth, VEGAP

Terms of Use

The Photo Library of the Museo Nacional Thyssen-Bornemisza offers sale and rental service of photographic material of all the works on its Permanent Collection.

To request images or permits for commercial use in academic or research publications, that is, catalogues of other institutions, monographs and other specialized publications, you should contact the Museum's Photo Library by email at the e-mail @email.

To request images or permits for other commercial or advertising uses (general publications, merchandising, exhibitions, audio-visual works, web pages, etc.), you should contact the Museum's Commercial Archive by email at the e-mail @email.

The Photo Library and the Museum's Commercial Archive manage the worldwide distribution of images of the Museo Thyssen-Bornemisza works, as well as their reproduction rights. The applicable rates are calculated based on the nature and proposed use of the images, as well as the availability of the requested image.

Requests for scans or new photographs will be reviewed on a case-by-case basis. Once approved, an additional fee will apply. Re-photographing a work will require a minimum of six weeks to complete.

However, photographed works are protected by copyright. Therefore, regardless of the terms of use of the photographs set out below by the Foundation, it will be necessary to obtain a license from  VEGAP (Visual Entidad de Gestión de Artistas Plásticos www.vegap.es) or from the corresponding collective management organizations in the country where the work is going to be used or, where appropriate, from the holder of their rights in order to reproduce or exploit the work.

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