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American Impressionism

From 04 November 2014 to 01 February 2015

Limited entry numbers. Early booking is recommended



Autor:
Mary Cassatt
Título:
Autumn, 1880 (detail)
Técnica:
Oil on canvas
Medidas:
92,5 x 65,5 cm

Ubicacion:
Musée des Beaux Arts de la Ville de Paris, Petit Palais, París, PPP00706 © Petit Palais/Roger Viollet

Raoul Dufy

From 17 February to 17 May 2014

Advance booking already available



Autor:
Raoul Dufy
Título:
Open Window, Nice, 1928
Técnica:
Oil on canvas
Medidas:
65,1 x 53,7 cm

Ubicacion:
The Art Institute of Chicago, Joseph Winterbotham Collection
© Raoul Dufy / VEGAP / Madrid, 2015

Current Exhibitions

Alma-Tadema and Victorian Painting in the Pérez Simón Collection
  • Lawrence Alma-Tadema
  • Her Eyes are with Her Thoughts and They are Far Away
  • 1897
  • Oil on canvas
  • 23.3 x 38.1 cm
  • The Pérez-Simón Collection, México
    © Studio Sébert Photographes

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Alma-Tadema and Victorian Painting in the Pérez-Simón Collection

From 25 June to 12 October 2014



After being shown in Paris and Rome, the exhibition Alma-Tadema and Victorian Painting arrives at the Thyssen-Bornemisza Museum in June 2014, offering visitors the chance to discover the aesthetic sensuality of some of the most celebrated 19th-century English artists. In their paintings Sir Lawrence Alma-Tadema, Edward Coley Burne-Jones, Sir Frederic Leighton, Albert J. Moore and Dante Gabriel Rossetti emphasised values that were strikingly different to the moralising attitudes of the day, including a return to classical antiquity, an interest in the nude, rich decorative effects and references to medieval themes inherited from the Pre-Raphaelites.
The exhibition, curated by Véronique Gerard-Powell, Paris Sorbonne University professor, includes a selection of works, among them icons of British art such as The Roses of Heliogabalus by Alma-Tadema; Greek Girls collecting Pebbles from the Sea by Leighton: The Quartet by Albert Moore; and Andromeda by Poynter, have been loaned from the private Pérez-Simón collection, one of the most important in the field of Victorian art.

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