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Raoul Dufy

From 17 February to 17 May 2014

Early booking is recommended



Autor:
Raoul Dufy
Título:
Open Window, Nice, 1928
Técnica:
Oil on canvas
Medidas:
65,1 x 53,7 cm

Ubicacion:
The Art Institute of Chicago, Joseph Winterbotham Collection
© Raoul Dufy / VEGAP / Madrid, 2015

Paul Delvaux: A Walk with Love and Death

From 24 February to 07 June 2015

Early booking is recommended



Autor:
Paul Delvaux
Título:
The Table, 1946
Técnica:
Oil on canvas
Medidas:
86 x 76 cm

Ubicacion:
Private Collection on deposit at Musée d´lxelles, Brusssels
© Foundation Paul Delvaux, Koksijde, Belgium / VEGAP – SABAM – 2015
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Thyssen-Bornemisza Collection

Autor:
Josef Albers
Título:
Structural Constellation. Alpha
Fecha:
1954
Técnica:
Incised vinyl
Medidas:
49 x 65.5 cm
Úbicacion:
Museo Thyssen-Bornemisza, Madrid
Numero de inventario
INV. Nr. 449 (1977.43)

More information about this work




Structural Constellation. Alpha, executed in 1954, belongs to a series of drawings and engravings which Albers began in 1950 and continued to work on for several years, and which embody his experiments on visual ambiguity. His chief ambition as a teacher, first at the Bauhaus and later at Black Mountain College and Yale University, was to train his students to open their eyes. The central idea of this body of works appears to stem from this principle; indeed, representation, on account of its special configuration, becomes an irrational and illusory visual image as it shows forms that contradict geometry itself and could never exist in three dimensions in real life. The artist seeks to explain that even if the form depicted is unique, its geometry is variable and a single image holds two or several different visions, anticipating Op Art.

In the present work belonging to the Museo Thyssen-Bornemisza, Albers explores right angles and parallel lines and requires the viewer to make a special effort to attempt, albeit unsuccessfully, a rational understanding of the geometrical shape. The simplicity of the structure and the painstaking execution of the drawing, which is engraved on vinyl, and the absence of colour, give the image a precise and impersonal appearance that further heightens the illogical appearance of the figure.

Paloma Alarcó

© 2009 Museo Thyssen-Bornemisza

Paseo del Prado 8, 28014 Madrid, España

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