Structural Constellation. Alpha - Josef Albers

Hyperrealism 1967-2012
<exchanging gazes> 5

Hyperrealism. 1967-2012

22 March to 9 June 2013

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Autor:: Tom Blackwell
Título:: Triumph Trumpet (detail)
Fecha:: 1977

Técnica:: Oil on canvas
Medidas:: 180 x 180 cm.
Ubicacion:: Private Collection, New York.
image © Tom Blackwell photo © Louis K. Meisel Gallery, New York

<exchanging gazes> 5: Interior Scenes. Women and Daily Life.

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From 26 February to 10 June 2013

Autor:: Nicolas Maes
Título:: The Naughty Drummer
Fecha:: c. 1655

Técnica:: Museo Thyssen-Bornemisza, Madrid. Nr. INV. 241 (1930.56)

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Structural Constellati...

Thyssen-Bornemisza Collection

Autor:: Josef Albers
Título:: Structural Constellation. Alpha
Fecha:: 1954

Técnica:: Incised vinyl
Medidas:: 49 x 65.5 cm
Úbicacion:: Museo Thyssen-Bornemisza, Madrid
Numero de inventario: INV. Nr. 449 (1977.43)

Structural Constellation. Alpha, Josef Albers

More information about this work

Structural Constellation. Alpha, executed in 1954, belongs to a series of drawings and engravings which Albers began in 1950 and continued to work on for several years, and which embody his experiments on visual ambiguity. His chief ambition as a teacher, first at the Bauhaus and later at Black Mountain College and Yale University, was to train his students to open their eyes. The central idea of this body of works appears to stem from this principle; indeed, representation, on account of its special configuration, becomes an irrational and illusory visual image as it shows forms that contradict geometry itself and could never exist in three dimensions in real life. The artist seeks to explain that even if the form depicted is unique, its geometry is variable and a single image holds two or several different visions, anticipating Op Art.

In the present work belonging to the Museo Thyssen-Bornemisza, Albers explores right angles and parallel lines and requires the viewer to make a special effort to attempt, albeit unsuccessfully, a rational understanding of the geometrical shape. The simplicity of the structure and the painstaking execution of the drawing, which is engraved on vinyl, and the absence of colour, give the image a precise and impersonal appearance that further heightens the illogical appearance of the figure.

Paloma Alarcó

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