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©
The Lucian Freud Archive / Bridgeman Images
Lucian Freud

Last Portrait

1976 - 1977
Oil and pencil on canvas.
61 x 61 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
548
(
1979.13
)
Not on display
  • Level 2 Permanent Collection
  • Level 1 Permanent Collection
  • Level 0 Carmen Thyssen Collection and Temporary exhibition rooms
  • Level -1 Temporary exhibition rooms, Conference room and EducaThyssen workshop
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL
Level -1
Temporary exhibition rooms, Conference room and EducaThyssen workshop
Temporary exhibition rooms Conference room EducaThyssen Workshop

Lucian Freud stated that “my idea of portraiture came from dissatisfaction with portraits that resembled people. I would wish my portraits to be of people, not like them.” Such a confession denotes a certain amount of philosophical anguish as it presupposes that the artist, when painting somebody, is to an extent condemning them. During his youth he learned from Cedric Morris, his teacher at the East Anglian School of Painting and Drawing in Essex, that a portrait should be revealing in a way that was almost improper, and he has heeded that lesson ever since. His personal manner of portraying human malaise, his devastating vision that casts a cloak of turmoil over all his sitters, led Herbert Read to describe him as the “Ingres of existentialism.”With this admirable and lucid definition, the British critic connected Freud with both French visual culture and the gloomy creed of Jean-Paul Sartre, and summed up the dilemma between the subtlety of his painting and the nauseating world captured by his gaze.

Dated in 1976‒77, Last Portrait, the first painting by Freud to enter the Thyssen-Bornemisza collection, shows the same model depicted in the Nude Portrait in the Tate collection. The unfinished nature of the work sheds light on how it was painted. The composition was lightly sketched in pencil on the white canvas and the paint was applied starting with the face and upper part of the body. Freud’s early portraits characterised by tight brushwork, executed using fine sable brushes in the style of the early Flemish artists or Dürer, have become a thing of the past. He now paints standing up using thick hogshair brushes to achieve greater impasto and a fleshier quality.

“To me Art’s subject is the human clay.” This line by the Anglo-American poet W.H. Auden appears to be written expressly for Lucian Freud, the artist who has succeeded in revealing like no other the vulnerability of the human body. “I want it [the paint] to work for me just as flesh, ” he told Lawrence Gowing in 1982 — a motto that is consonant with the material fleshiness of their faces and bodies, and with his skill at painting the texture of the skin and converting the picture surface into human clay.

Paloma Alarcó

20th Centurys. XX - Figuración en la posguerra europeaPaintingOil and pencilcanvas
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  • Private and/or didactic use
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Private and/or didactic use
Last Portrait. Último retrato, 1976-1977
Last Portrait
Lucian Freud

©

The Lucian Freud Archive / Bridgeman Images

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Last Portrait. Último retrato, 1976-1977
Last Portrait
Lucian Freud

©

The Lucian Freud Archive / Bridgeman Images

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