This gallery brings together significant examples of still-life and flower paintings, mainly of the Flemish and Dutch schools, a genre to which the Thyssen-Bornemisza family paid considerable attention in their collection. The painting by Cornelis’s father Jan Davidsz. de Heem was acquired two years before that of his elder son, which was purchased in 1966. The parallels between the painters’ styles are evident in elements such as the background, the glass vase, and the arrangement. However, Cornelis’s bouquet has a marked diagonal created by the most voluminous flowers, which divide it into two well-defined asymmetrical groups. His father, in contrast, positions the most striking flowers in the centre and surrounds them with fruits and small petals in a brightly lit composition.