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©
Albert Henrich
Albert Henrich

Portrait of the Painter A.M. Tränkler

1926
Oil on canvas.
81 x 62 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
582
(
1980.27
)
Not on display
  • Level 2 Permanent Collection
  • Level 1 Permanent Collection
  • Level 0 Carmen Thyssen Collection and Temporary exhibition rooms
  • Level -1 Temporary exhibition rooms, Conference room and EducaThyssen workshop
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL
Level -1
Temporary exhibition rooms, Conference room and EducaThyssen workshop
Temporary exhibition rooms Conference room EducaThyssen Workshop
Albert Henrich, who was associated with the realist trends of the German Neue Sachlichkeit (New Objectivity), is an artist who is virtually unknown — almost as unknown as the person he portrays in this picture, the painter A.M. Tränkler. Although Henrich chiefly painted still lifes, he also produced portraits and landscapes, closely following the tradition of seventeenth-century Dutch painting.

The portrait of Alfons Maria Tränkler, of whom all that is known is his name and, as the title of the picture states, the fact that he was a painter, is executed with a highly sober, painstaking realism that lends it a certain harshness. Henrich’s psychological characterization of the sitter is reflected in the angular face — contracted in a stern gesture, with restrained expressiveness — jutting out from the gleaming starched collar of his shirt, and the right hand which holds a cigarette. Illuminated by a light source situated to Tränkler’s left, these sombre areas of flesh are painted with powerful chiaroscuro and stand out against the dark tones of the suit and the picture’s background.

Paloma Alarcó
20th Centurys. XX - Pintura europea. Nuevo ordenPaintingOilcanvas
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Retrato del pintor A. M. Tränkler

Retrato del pintor A. M. Tränkler

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Private and/or didactic use
Portrait of the Painter A.M. Tränkler. Retrato del pintor A. M. Tränkler, 1926
Portrait of the Painter A.M. Tränkler
Albert Henrich

©

Albert Henrich

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Portrait of the Painter A.M. Tränkler. Retrato del pintor A. M. Tränkler, 1926
Portrait of the Painter A.M. Tränkler
Albert Henrich

©

Albert Henrich

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