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Museo Nacional Thyssen-Bornemisza, Madrid
Winslow Homer

Deer in the Adirondacks

1889
Watercolor on Paper.
35.5 x 50.7 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
590
(
1981.43
)
Not on display
  • Level 2 Permanent Collection
  • Level 1 Permanent Collection
  • Level 0 Carmen Thyssen Collection and Temporary exhibition rooms
  • Level -1 Temporary exhibition rooms, Conference room and EducaThyssen workshop
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL
Level -1
Temporary exhibition rooms, Conference room and EducaThyssen workshop
Temporary exhibition rooms Conference room EducaThyssen Workshop
The famous book by the Bostonian Reverend William Murray, Adventures in the Wilderness, published in 1869, which narrates his hunting and fishing adventures in the Adirondack Mountains, aroused a growing interest in visiting the area. Winslow Homer, who was a great fishing enthusiast, spent several weeks every year with his brother Charles in the forests of these mountains in New York state after the two became founding members of the North Wood Club, a private game and fishing preserve, in 1886. This northern scenery of deserted forests and lakes and rivers of matchless beauty inspired him to paint nearly a hundred magnificent watercolour pictures capturing fishing and deer hunting scenes as well as the devastating effects of the timber industry on forests.

In Deer in the Adirondacks, Homer masterfully conveys the spot’s silent calm that is disturbed only by the presence of a deer swimming through the tranquil waters and a dog steering the prey towards the hunter from the opposite bank. As David Tatham states, deer hunting was a recurrent theme in Homer’s watercolours between 1889 and 1892. Painted entirely outdoors, they show different moments in the characteristic manner of hunting down deer using dogs. According to this practice, which is forbidden today, the dog would drive the deer into the water, where the hunters awaited it in a boat. Although humans occasionally feature in the paintings in this series, the main subjects are always the natural inhabitants of the forests.

The work was part of a set of over thirty watercolours that were bought by the famous Boston collector Edward W. Hooper in 1890 and remained in his family’s possession until 1978.

Paloma Alarcó

19th Centurys. XIX - Pintura norteamericana. NaturalismoWork on paperWatercolorPaper
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Deer in the Adirondacks. Ciervo en los montes Adirondacks, 1889
Deer in the Adirondacks
Winslow Homer

©

Museo Nacional Thyssen-Bornemisza, Madrid

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Deer in the Adirondacks. Ciervo en los montes Adirondacks, 1889
Deer in the Adirondacks
Winslow Homer

©

Museo Nacional Thyssen-Bornemisza, Madrid

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