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Museo Nacional Thyssen-Bornemisza, Madrid
Caspar Netscher (attributed to)

Portrait of a Man

ca. 1676
Oil on canvas.
54 x 45.5 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
301
(
1930.79
)
ROOM 27
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Following his marriage in Bordeaux in 1659, Caspar Netscher moved with his family to The Hague where he achieved notable success as a portraitist. Netscher, whose teachers included Gerard ter Borch, produced paintings of interiors and portraits, and a pair of figures in Utrecht is among his earliest known works in the latter genre. Like Ter Borch, Netscher preferred small formats for his compositions, into which he introduced lighter and more brilliant colours from the 1660s. From the late 1660s the artist focused more actively on portraiture, creating a format in which the figures, generally presented half-length, are set against backgrounds with gardens or landscapes illuminated with the evening light. His elegant figures, fine technique and the quality of his work made Netscher the most popular painter in The Hague.

These two canvases have the same provenance. Both were in the Coray-Stoop collection in Erlenbach-Zurich where they are recorded in 1923, and were auctioned with other works from that collection in Lucerne in 1925. They were then with the Frankfurt dealer L. M. Hackenbroch, in whose gallery they were exhibited in 1928, and were acquired from that gallery for the Thyssen-Bornemisza collection prior to the Munich exhibition in 1930, in which they were included. The purchase was approved by Hofstede de Groot, whose brief report only focused on the female portrait.

The paintings have been included in the Collection’s catalogues as a pair and both have been considered autograph works by Netscher. However, only the canvas of the woman is signed and dated, for which reason the portrait of the man was the subject of an in-depth study whose results did not reveal any traces of a date or signature. This fact, combined with the poor condition of the painting, particularly the man’s head, led Gaskell to doubt the attribution. As he noted, the large number of commissions that Netscher received encouraged him to rely on studio assistants who included his three sons, of which the best documented is Constantijn.

Both figures conform to the type of presentation that made Netscher such a fashionable portraitist. Particularly notable are the settings and backgrounds that he used in his portraits, which involve sumptuous curtains and hangings or which, as here, take the form of landscapes. The gestures, the richness of the clothes and the woman’s jewels suggest that these sitters belonged to the wealthy, fashionably dressed classes, indicated by the man’s long wig and the French details of his dress. In his monograph on Netscher, Wieseman included these two canvases as workshop productions.

Mar Borobia
17th Century17th Century - Dutch paintingPaintingOilcanvas
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Museo Nacional Thyssen-Bornemisza, Madrid

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Portrait of a Man. Retrato de un caballero, c. 1676
Portrait of a Man
Caspar Netscher (attributed to)

©

Museo Nacional Thyssen-Bornemisza, Madrid

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