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©
Colección Thyssen-Bornemisza, on loan at the Museu Nacional d'Art de Catalunya (MNAC)
Giambattista Tiepolo and Workshop

Christ on the route to Calvary

Oil on canvas.
79 x 86 cm
Colección Thyssen-Bornemisza, on deposit at the Museu Nacional d'Art de Catalunya (MNAC)
Inv. no.
395
(
1957.4
)
Not on display
  • Level 2 Permanent Collection
  • Level 1 Permanent Collection
  • Level 0 Carmen Thyssen Collection and Temporary exhibition rooms
  • Level -1 Temporary exhibition rooms, Conference room and EducaThyssen workshop
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL
Level -1
Temporary exhibition rooms, Conference room and EducaThyssen workshop
Temporary exhibition rooms Conference room EducaThyssen Workshop
In the late 1730s Giambattista Tiepolo worked on the decoration of various churches including San Antonio in Padua, for which he painted The Martyrdom of Saint Agatha. For Santa Maria del Rosario in Venice, better known as the church of the Gesuati, he executed The Apparition of the Virgin to Saint Dominic, The Instruction of the Rosary and The Glory of Saint Dominic. This project was followed by a series of works for Sant’Alvise, for which he painted a large triptych on the Passion of Christ. During these years his fame increased together with the number of commissions that he received and in the late 1730s his style underwent a transformation with dark tones and a use of pronounced contrasts replaced by lighter shades. At this period Tiepolo also began to use dramatic illusionistic effects that would become a feature of his later output while deploying transparent tones, theatrical settings and a wealth of details that filled his compositions in an elegant manner.

The present canvas is a reproduction of the very large composition that he painted for the church of Sant’Alvise. It repeats all the elements to be found in that oil (measuring 450 x 517 cm), which was the central image of an altarpiece with The Crowning with Thorns and The Flagellation on the lateral wings. Overall, this was an extremely dramatic composition created through the careful arrangement of the groups of figures in a panoramic setting and their gestures, movements and highly dramatic poses. Tiepolo was inspired by the major cycles painted in Venice in the 16th century, in particular Tintoretto’s works for the Scuola Grande di San Rocco including The Crucifixion and Christ on the Route to Calvary, which Tiepolo reinterpreted for his major work for Sant’Alvise.

The present canvas appeared in the catalogues of the Collection from the year of its acquisition in 1957. In 1962 Morassi expressed doubts about its attribution and in 2002 Roberto Contini concluded that it involved workshop participation. A preliminary sketch for the Sant’Alvise painting is to be found in the Gemäldegalerie in Berlin which reveals some changes with respect to the final work, for example more emphasis on the space between the groups of figures. The Berlin museum also has another copy of the composition that is similar in size to the present one.

In the second half of the 18th century the present canvas was in the collection of Antoine Brentano von Birckenstock in Frankfurt, at which point it had a pair of a Crucifixion, now in the City Art Museum, Saint Louis. Christ on the Route to Calvary was included in the 1969 and 1971 catalogues of the Thyssen-Bornemisza collection as a work by Sebastiano Ricci. It was also considered to be part of a series of eight paintings of scenes from the Passion of Christ, now divided between the Musée du Louvre, the Hamburg Kunsthalle, the National Gallery, the City Art Museum, Saint Louis, the Boijmans-Van-Beuningen Museum, Rotterdam, and a private collection.

Mar Borobia
18th Century - Italian paintingPaintingOilcanvas
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Christ on the route to Calvary. Cristo camino del Gólgota, después de 1738-1740
Christ on the route to Calvary
Giambattista Tiepolo and Workshop

©

Colección Thyssen-Bornemisza, on loan at the Museu Nacional d'Art de Catalunya (MNAC)

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Christ on the route to Calvary. Cristo camino del Gólgota, después de 1738-1740
Christ on the route to Calvary
Giambattista Tiepolo and Workshop

©

Colección Thyssen-Bornemisza, on loan at the Museu Nacional d'Art de Catalunya (MNAC)

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