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Museo Nacional Thyssen-Bornemisza, Madrid
Henri de Toulouse-Lautrec

Yvette Guilbert

1893
Gouache and charcoal on Paper.
54 x 37.5 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
772
(
1974.27
)
ROOM 33
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Henri de Toulouse-Lautrec always harboured a keen fascination with the world of the theatres and cafés-concerts of Paris, which he depicted in numerous works, exhibiting his impressive powers of observation. The famous singer Yvette Guilbert (1867‒1944), a genuine star of the Divan Japonais, Ambassadeurs and Moulin Rouge cabarets in fin-de-siècle Paris, had met Toulouse Lautrec at the beginning of 1893 through the writer Maurice Donnay and had become one of the painter’s favourite vedettes. In this portrait, which was used to illustrate Gustave Geffroy’s article on cafésconcerts in Le Figaro Illustré in 1893, Yvette is depicted on the edge of the stage, in a stiff pose — haughty even — about to perform the de rigueur curtsey between rounds of applause. According to the singer’s memoirs, he had copied her chignon and pale makeup from a wax head in the Musée de Lille and her long V-necked dress from Albert Besnard’s Portrait of Mme Roger Jourdain.

For a time the work belonged to the French silent film actor Max Linder (Maximilien Gabriel Leuvielle, 1883–1925).

Paloma Alarcó
19th Centurys. XIX - Pintura europea. PostimpresionismoWork on paperGouache and charcoalPaper
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Tours to find it

Swaying Dancer (Dancer in Green), 1877-1879
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A journey through the Performing Arts

The performing arts as an arena of encounter.  

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Poster Yvette Guilbert by Toulouse-Lautrec.

Poster Yvette Guilbert by Toulouse-Lautrec.

12.50 €

Carmen Thyssen-Bornemisza Collection Catalogue  V1 (Spanish)

Carmen Thyssen-Bornemisza Collection Catalogue V1 (Spanish)

65.00 € 25.00 €

Catalogue Hyperreal. The art of trompe l'oeil (Spanish)

Catalogue Hyperreal. The art of trompe l'oeil (Spanish)

34.00 € 25.00 €

Los impresionistas y la fotografía. Exhibition catalogue. Spanish Hard Cover

Los impresionistas y la fotografía. Exhibition catalogue. Spanish Hard Cover

38.00 € 25.00 €

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Yvette Guilbert. Yvette Guilbert, 1893
Yvette Guilbert
Henri de Toulouse-Lautrec

©

Museo Nacional Thyssen-Bornemisza, Madrid

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The exploitation rights of the images correspond to the Fundación Coleccion Thyssen-Bornemisza, F.S.P. The Fundación authorizes the downloading of high-resolution images from its website for private use, use for educational and research purposes, and other non-commercial uses.

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Yvette Guilbert. Yvette Guilbert, 1893
Yvette Guilbert
Henri de Toulouse-Lautrec

©

Museo Nacional Thyssen-Bornemisza, Madrid

Terms of Use

The Photographic Archive of the Museo Nacional Thyssen-Bornemisza offers sale and rental service of photographic material of all the works on its Permanent Collection.

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