Thyssen-Bornemisza Museo Nacional Search Ir al contenido principal

Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
Visit Collection Exhibitions Activities Education Search
  • Visit
  • Collection
  • Exhibitions
  • Activities
  • Education

Thyssen - Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
©
Maurice de Vlaminck, VEGAP, Madrid
Maurice De Vlaminck

Fields, Rueil

ca. 1904 - 1905
Oil on canvas.
55 x 65 cm
Carmen Thyssen Collection
Inv. no. (
CTB.1998.65
)
ROOM H
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL

This painting represents a view of the fields in Rueil. In the foreground, three young trees and a fence; behind them, sown open fields; in the background, an isolated house outlined against a grey sky.

Vlaminck lived in Rueil from the end of 1900, sharing a studio with Derain on the island of Chatou, on the Seine, opposite Rueil. The river was for these towns, sufficiently close to Paris as to encourage brief visits, an easy popular attraction. Chatou and Rueil, as well as Argenteuil, Bougival, Le Pecq, etc., were in an area very often depicted by Impressionist painters. Chatou in particular had been the scenario of the celebrated Luncheon of the Boating Party, painted by Renoir in 1881 and belonging to the Phillips Collection.

Since their inclusion in the 1905 Salon d'Automne, Vlaminck and Derain had held a prominent place within the informal group known as the fauves. In those years Vlaminck took part in the main exhibitions of this group in Paris (Salon d'Automne and Salon des Indépendants), as well as in Brussels (La Libre Esthétique), Le Havre, etc. Whereas the Impressionist painters showed their works in galleries promoting Impressionism (particularly Bernheim-Jeune), the fauves dealt with less established galleries, such as Berthe Weill, Druet and above all Vollard. In September 1905 Vollard, who had already undertaken similar transactions with other fauve artists like Derain and Manguin, bought all the works in Vlaminck's studio for a sum of 6, 000 francs; this included his right of option to buy any future paintings for the first time. This contract enabled Vlaminck to devote himself exclusively to painting. From 1906 Derain saw increasingly more of Matisse and Picasso, whereas Vlaminck began to be isolated. In 1907 he published his third novel (Almes des mannequins) and Vollard organised his first one man show. From the end of that year, and following the steps of Matisse, Picasso, Braque and Derain, Vlaminck came closer to Cezannism and his palette abandoned the bright shades in favour of the blues and earth colours. That was the end of his fauve period.

Fields, Rueil, an undated painting which belonged to the Vollard collection, recalls that of other Chatou landscapes of around 1904 or 1905. Yet its brushstrokes are less divided and compared to those of the 1905 paintings, tend to form larger flat areas, sometimes divided by thick dark lines (without producing a systematic cloisonné like the one used by Gauguin's followers). The strong slant of the composition, with its vanishing point to the right, is typical of Vlaminck, as is the relatively low horizon (but actually quite normal) in comparison with the very high horizons of Derain, Braque and Matisse. As for the rest, the composition is soundly constructed, taking advantage and underlining the vertical rhythm of the tree trunks.

Tomàs Llorens
 

20th CenturyPaintingOilcanvas
Listen
Download image Print page

Products and publications

Watch Swatch+Thyssen van der Ast Gracious Bouquet

Watch Swatch+Thyssen van der Ast Gracious Bouquet

80.01 €

Spanish & Sisters x Lacroix crochet necklace

Spanish & Sisters x Lacroix crochet necklace

68.00 €

German Expressionism from the Baron Thyssen-Bornemisza Collection exhibition catalogue (Spanish with English booklet)

German Expressionism from the Baron Thyssen-Bornemisza Collection exhibition catalogue (Spanish with English booklet)

30.00 € 28.51 €

De Palacio Villahermosa a Museo Thyssen-Bornemisza. Historia de un edificio

De Palacio Villahermosa a Museo Thyssen-Bornemisza. Historia de un edificio

28.00 € 15.50 €

Visit online shop

More from the collection

Maurice De Vlaminck
Maurice De Vlaminck
Bunch of Flowers
ca. 1909
Maurice De Vlaminck
Maurice De Vlaminck
Blue vase with flowers
ca. 1906
  • Private and/or didactic use
  • Commercial use
Private and/or didactic use
Fields, Rueil. Campos, Rueil, c. 1904-1905
Fields, Rueil
Maurice De Vlaminck

©

Maurice de Vlaminck, VEGAP, Madrid

Terms of Use

The exploitation rights of the images correspond to the Fundación Coleccion Thyssen-Bornemisza, F.S.P. The Fundación authorizes the downloading of high-resolution images from its website for private use, use for educational and research purposes and non-commercial uses.

However, photographed works are protected by copyright. Therefore, regardless of the terms of use of the images set out below by the Foundation, it will be necessary to obtain a license from VEGAP (www.vegap.es), or from the corresponding collective management organisation in the country where the work is going to be used or, where appropriate, from the holder of their rights in order to reproduce or exploit the work.

Use for educational and research purposes is understood as the non-commercial or advertising use of images in presentations, conferences, school or university work, in classes at regulated education institutions, as well as in academic publications, with a circulation of less than 1,000 copies, provided that it is non-profit.

Non-commercial use is understood as the use of the images in a context where no profit, monetary or commercial, is generated, directly or indirectly.

Any use other than those indicated above will require the prior written authorization of the Fundación.

Any request for educational and research use or for non-commercial use (including academic publications), should be directed by email to the Museum Photo Library through the email address archivo.fotografico@museothyssen.org. This department manages the worldwide distribution of the images of the works of the Museo Nacional Thyssen-Bornemisza and the management of their reproduction rights for those uses.

The user agrees to use the image of the website solely and exclusively for the purposes described above and in accordance with the following terms of use, which, however, do not apply to the reproduction of photographs, as they are protected by Copyright.

Terms of use

  • If the image is used for reproduction, the work must be reproduced in its entirety. The image may not be manipulated, deformed, modified or altered in any way. In particular, no superposition (of images or texts) on the reproduction is allowed.
  • The reproduction of a detail or part of the work may only be made with the prior written authorization of the Fundacion. In this case, the credit line must include the following mention: “detail”.
  • Any total or partial reproduction of the images of the Fundación that has been previously authorized must be accompanied by the copyright text indicated by the owners or their copyright holders as well as the following mention: Provenance: Carmen Thyssen Collection.
  • The user will send free of charge to the Museum Photo Library one (1) free copy of the edition, publication or reproduction to the following address: Archivo Fotográfico, Museo Nacional Thyssen-Bornemisza, Paseo del Prado, 8 28014 Madrid, Spain.
Download image
Commercial use
Fields, Rueil. Campos, Rueil, c. 1904-1905
Fields, Rueil
Maurice De Vlaminck

©

Maurice de Vlaminck, VEGAP, Madrid

Terms of Use

The Photo Library of the Museo Nacional Thyssen-Bornemisza offers sale and rental service of photographic material of all the works of the Carmen Thyssen Collection.

To request images or permits for commercial use in academic or research publications, that is, catalogues of other institutions, monographs and other specialized publications, you should contact the Museum's Photo Library by email at the e-mail @email.

To request images or permits for other commercial or advertising uses (general publications, merchandising, exhibitions, audio-visual works, web pages, etc.), you should contact the Museum's Commercial Archive by email at the e-mail archivo.fotografico@museothyssen.org.

The Photo Library and the Museum's Commercial Archive manage the worldwide distribution of images of the Museo Thyssen-Bornemisza works, as well as their reproduction rights. The applicable rates are calculated based on the nature and proposed use of the images, as well as the availability of the requested image.

Requests for scans or new photographs will be reviewed on a case-by-case basis. Once approved, an additional fee will apply. Re-photographing a work will require a minimum of six weeks to complete.

However, photographed works are protected by copyright. Therefore, regardless of the terms of use of the photographs set out below by the Foundation, it will be necessary to obtain a license fromVEGAP (Visual Entidad de Gestión de Artistas Plásticos www.vegap.es) or from the corresponding collective management organizations in the country where the work is going to be used or, where appropriate, from the holder of their rights in order to reproduce or exploit the work.

Download image
Thyssen-Bornemisza Museo Nacional

Navegación secundaria (EN)

  • #Thyssenmultimedia
  • Press
  • Corporate events
  • Tourism
  • Join our team
  • Newsletter
Instagram
Facebook
X
Youtube
TikTok
iVoox
LinkedIn

The Museo Nacional Thyssen-Bornemisza would like to thanks for the collaboration of:

Fundación Mutua Madrileña Master Card Comunidad de Madrid
©2025 Thyssen-Bornemisza National Museum

Menú al pie (EN)

  • Legal terms and use of images
  • Public tenders
  • Transparency site
  • Accessibility and quality
  • Sustainability & 2030 Agenda
  • Contact
Ministry of Culture España es cultura | Spain is culture. The website promoting Spanish culture Paisaje de la Luz | Paseo del Prado y Buen Retiro. Paisaje de las Artes y las Ciencias
Certificación de Conformidad con el Esquema Nacional de Seguridad. Categoría Media. RD 311/2022