Thyssen-Bornemisza Museo Nacional Search Ir al contenido principal

Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
Visit Collection Exhibitions Activities Education Search
  • Visit
  • Collection
  • Exhibitions
  • Activities
  • Education

Thyssen - Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
©
Museo Nacional Thyssen-Bornemisza, Madrid
Jacob Jordaens and Workshop

The Holy Family with an Angel

ca. 1625 - 1629
Oil on canvas.
89.7 x 103 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
201
(
1930.35
)
Not on display
  • Level 2 Permanent Collection
  • Level 1 Permanent Collection
  • Level 0 Carmen Thyssen Collection and Temporary exhibition rooms
  • Level -1 Temporary exhibition rooms, Conference room and EducaThyssen workshop
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL
Level -1
Temporary exhibition rooms, Conference room and EducaThyssen workshop
Temporary exhibition rooms Conference room EducaThyssen Workshop
Along with Rubens and Van Dyck, Jacob Jordaens was one of the great Flemish artists of the 17th century, becoming the leading painter in Antwerp after the death of Rubens in 1640. From that date on Jordaens received important commissions from foreign courts who considered him Rubens’ successor. Jordaens trained with Rubens’ teacher, Adam van Noort, whose studio he entered as an apprentice at the age of fourteen. Throughout his career, which was long and wide-ranging, Jordaens produced mythological, religious, history and genre paintings as well as portraits and tapestry designs. The figures in his works are devoid of idealism and he often depicted popular types of a cheerful, earthy character.

In 1615 Jordaens was accepted into the painters’ guild in Antwerp as an independent master and his first known works date to that decade. They comprise two religious compositions of scenes from the childhood of Christ, one of 1616 in The Metropolitan Museum of Art, New York and the other of 1618 in the Nationalmuseum, Stockholm.

In the present canvas Jordaens has located a compact group of figures in the foreground. These figures occupy most of the pictorial space, leaving little room for the background. The sacred character of the composition is primarily indicated by the presence of the angel who delicately holds out a bunch of grapes (symbol of the Eucharist) to the infant Christ. The angel places his other arm around Joseph’s shoulder and thus embraces the entire group of the Holy Family as if protecting it. Seated on a rustic wicker chair that appears in other works by the artist, Mary holds a chubby baby Christ who has a small wreath of roses and other flowers on his head while clutching a rosary in both hands. The palette of reds, whites and blues is characteristic of Jordaens who strongly illuminates the composition with a light that falls from the left and models the figures in a volumetric manner reminiscent of Caravaggio.

The canvas was considered to be an autograph work by Jordaens until 1958 when it was referred to in an entry in the catalogue of the Museum in Kassel, which has another version of this painting. In that catalogue it was described as a studio or school version of a lost original. Ten years later in an exhibition on Jordaens held in Ottawa, the present canvas was exhibited alongside two other versions of this composition, one from San Francisco and the other from the August Carl von Joest collection. The latter has exactly the same composition as the present painting and its high quality led experts to consider it an autograph work, while the unequal quality of the handling in the present painting resulted in it being ascribed to Jordaens’s studio. In his text on the painting Gaskell emphasized this irregularity, particularly regarding the heads of the Virgin and Child, which are of better quality than those of the angel and Joseph. Examination using infra-red reflectography in 1987 did not reveal any pentimenti in the design or execution, again suggesting that the present canvas is a replica.

Mar Borobia
17th Century17th Century - Flemish paintingPaintingOilcanvas
Listen
Download image Print page

Products and publications

Spanish & Sisters x Lacroix crochet earrings

Spanish & Sisters x Lacroix crochet earrings

48.00 €

Poster Richard Estes. Telephone Booths, 1967

Poster Richard Estes. Telephone Booths, 1967

12.50 €

The Impressionists and Photography. Exhibition catalogue. English Hard Cover

The Impressionists and Photography. Exhibition catalogue. English Hard Cover

38.00 € 36.10 €

"Masterworks from Budapest" exhibition catalogue (Spanish, Paperback)

"Masterworks from Budapest" exhibition catalogue (Spanish, Paperback)

34.00 € 15.50 €

Visit online shop

More from the collection

Cornelis De Vos
Cornelis De Vos
Portrait of Antonia Canis
1624
Peter Paul Rubens (workshop of)
Peter Paul Rubens (workshop of)
Saint Roch as Patron of Plague Victims
ca. 1623
Anthony van Dyck
Anthony van Dyck
Christ on the Cross
1627
Peter Paul Rubens (workshop of)
Peter Paul Rubens (workshop of)
St. Michael expelling Lucifer and the Rebel Angels
ca. 1622
  • Private and/or didactic use
  • Commercial use
Private and/or didactic use
The Holy Family with an Angel. La Sagrada Familia con un ángel, c. 1625-1629
The Holy Family with an Angel
Jacob Jordaens and Workshop

©

Museo Nacional Thyssen-Bornemisza, Madrid

Terms of Use

The exploitation rights of the images correspond to the Fundación Coleccion Thyssen-Bornemisza, F.S.P. The Fundación authorizes the downloading of high-resolution images from its website for private use, use for educational and research purposes, and other non-commercial uses.

Use for educational and research purposes is understood as the non-commercial or advertising use of images in presentations, conferences, school or university work, in classes at regulated education institutions, as well as in academic publications, with a circulation of less than 1,000 copies, provided that it is non-profit.

Non-commercial use is understood as the use of the images in a context where no profit, monetary or commercial, is generated, directly or indirectly.

Any use other than those indicated above will require the prior written authorization of the Fundación Any request for educational and research use or for non-commercial use (including academic publications), should be directed by email to the Museum Photo Library through the email address archivo.fotografico@museothyssen.org. This department manages the worldwide distribution of the images of the works of the Museo Nacional Thyssen-Bornemisza and the management of their reproduction rights for those uses.

The user agrees to use the image of the website solely and exclusively for the purposes described above and in accordance with the following terms of use:

Terms of use

  • If the image is used for reproduction, the work must be reproduced in its entirety. The image may not be manipulated, deformed, modified, or altered in any way. In particular, no superposition (of images or texts) on the reproduction is allowed.
  • The reproduction of a detail or part of the work may only be made with the prior written authorization of the Fundación. In this case, the credit line must include the following mention: “detail”.
  • Any total or partial reproduction of the images authorized by the Fundación must be accompanied by the following mention: Author's name. Title, Date © Museo Nacional Thyssen-Bornemisza, Madrid.
  • The user will send to the Museum Photo Library of the Fundación one (1) free copy of the edition, publication or reproduction to the following address: Archivo Fotográfico, Museo Nacional Thyssen-Bornemisza, Paseo del Prado, 8 28014 Madrid, Spain.
Download image
Commercial use
The Holy Family with an Angel. La Sagrada Familia con un ángel, c. 1625-1629
The Holy Family with an Angel
Jacob Jordaens and Workshop

©

Museo Nacional Thyssen-Bornemisza, Madrid

Terms of Use

The Photographic Archive of the Museo Nacional Thyssen-Bornemisza offers sale and rental service of photographic material of all the works on its Permanent Collection.

To request images or permits for commercial use in academic or research publications, that is, catalogues of other institutions, monographs and other specialized publications, you should contact the Museum's Commercial Archive by email at the e-mail @email.

To request images or permits for other commercial or advertising uses (general publications, merchandising, exhibitions, audio-visual works, web pages, etc.), you should contact the Museum's Commercial Archive by email at the e-mail @email.

The Photo Library and the Museum's Commercial Archive manage the worldwide distribution of images of the Museo Thyssen-Bornemisza works, as well as their reproduction rights. The applicable rates are calculated based on the nature and proposed use of the images, as well as the availability of the requested image.

Requests for scans or new photographs will be reviewed on a case-by-case basis. Once approved, an additional fee will apply. Re-photographing a work will require a minimum of six weeks to complete.

However, photographed works are protected by copyright. Therefore, regardless of the terms of use of the photographs set out below by the Foundation, it will be necessary to obtain a license from the author or copyright holder known to the Fundacion in order to reproduce or exploit the work.

Download image
Thyssen-Bornemisza Museo Nacional

Navegación secundaria (EN)

  • #Thyssenmultimedia
  • Press
  • Corporate events
  • Tourism
  • Join our team
  • Newsletter
Instagram
Facebook
X
Youtube
TikTok
iVoox
LinkedIn

The Museo Nacional Thyssen-Bornemisza would like to thanks for the collaboration of:

Fundación Mutua Madrileña Master Card Comunidad de Madrid
©2025 Thyssen-Bornemisza National Museum

Menú al pie (EN)

  • Legal terms and use of images
  • Public tenders
  • Transparency site
  • Accessibility and quality
  • Sustainability & 2030 Agenda
  • Contact
Ministry of Culture España es cultura | Spain is culture. The website promoting Spanish culture Paisaje de la Luz | Paseo del Prado y Buen Retiro. Paisaje de las Artes y las Ciencias
Certificación de Conformidad con el Esquema Nacional de Seguridad. Categoría Media. RD 311/2022