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©
Thyssen-Bornemisza Collection, on loan with the Museu Nacional d'Art de Catalunya (MNAC)
Niccolò di Tommaso

The Virgin and Child between Angels and six Saints

ca. 1362 - 1367
Tempera and gold on panel.
87 x 39 cm
Thyssen-Bornemisza Collection, on deposit with the Museu Nacional d'Art de Catalunya (MNAC)
Inv. no.
303
(
1930.81
)
Not on display
  • Level 2 Permanent Collection
  • Level 1 Permanent Collection
  • Level 0 Carmen Thyssen Collection and Temporary exhibition rooms
  • Level -1 Temporary exhibition rooms, Conference room and EducaThyssen workshop
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Level 1
Permanent Collection
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30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL
Level -1
Temporary exhibition rooms, Conference room and EducaThyssen workshop
Temporary exhibition rooms Conference room EducaThyssen Workshop

This Virgin and Child between Angels and six Saints may have been the central panel of a triptych similar to one now in a private German collection. Niccolò di Tommaso located the Virgin as the central axis of the composition and painted her on a larger scale than the other figures. She holds the Christ Child and both of them look out at the viewer. The Infant Christ’s body is covered with a rich brocade cloth whose colour and design interacts with the piece of cloth that acts as the backdrop to the composition. Christ blesses with one hand while in the other he holds a robin, symbol of the Christian soul and here referring to his future Passion, as according to legend, the robin’s red breast was made by Christ’s blood as the bird tried to pull out a thorn from the crown.

The figures framing the central group are arranged in different tiers in a strictly symmetrical manner. Thus in the top layer we find two angels with their arms crossed. They are followed on the left side by Saint John the Baptist, dressed in his traditional hair shirt and pointing to the Virgin and Child. A deacon saint holds a pen in his hand, while in the foreground we see Saint Bartholomew, identifiable by the knife with which he was skinned. On our right is Saint Anthony Abbot, a saint popularised by The Golden Legend and identifiable by his hooded habit, book and staff with cross-shaped handle; Saint Nicholas, dressed as a bishop with a mitre and crozier; and the Archangel Michael with his sword.

The panel was restored in 1987 at which point the two columns that framed the composition were replaced by the present ones. In addition, two barley-sugar columns attached to the inner edges of the frame were also removed. The Galleria dell’Accademia in Florence has a Coronation of the Virgin by the present artist with a frame similar to this one. The Virgin and Child between Angels and six Saints belonged to the Cremer collection in Dortmund, in whose catalogue it appears as a work by Taddeo Gaddi. When that collection (which was apparently started in the 1860s) was auctioned in Berlin in 1929 the painting was attributed to Nardo di Cione. The painting entered the Thyssen-Bornemisza collection in 1930 and was one of the works selected for the exhibition held in Munich that year. Miklós Boskovits related this painting to two other panels that would complete the hypothetical triptych for which it was designed. They are anAdoration of the Magi (Venice, Galleria Franchetti, Ca’ d’Oro) and a Crucifixion (formerly Schweitzer collection, Berlin).

Mar Borobia

14th Century13th and 14th c. - Early Italian PaintingPaintingTempera and goldpanel
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The Virgin and Child between Angels and six Saints. La Virgen con el Niño entre ángeles y seis santos, c. 1362-1367
The Virgin and Child between Angels and six Saints
Niccolò di Tommaso

©

Thyssen-Bornemisza Collection, on loan with the Museu Nacional d'Art de Catalunya (MNAC)

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The Virgin and Child between Angels and six Saints. La Virgen con el Niño entre ángeles y seis santos, c. 1362-1367
The Virgin and Child between Angels and six Saints
Niccolò di Tommaso

©

Thyssen-Bornemisza Collection, on loan with the Museu Nacional d'Art de Catalunya (MNAC)

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