Thyssen-Bornemisza Museo Nacional Search Ir al contenido principal

Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
Visit Collection Exhibitions Activities Education Search
  • Visit
  • Collection
  • Exhibitions
  • Activities
  • Education

Thyssen - Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
©
Thyssen-Bornemisza Collection, on loan with the Museu Nacional d'Art de Catalunya (MNAC)
Peter Paul Rubens

The Virgin and Child with Saint Elizabeth and Saint John the Baptist

ca. 1618
Oil on canvas.
151 x 113 cm
Thyssen-Bornemisza Collection, on deposit at the Museu Nacional d'Art de Catalunya (MNAC)
Inv. no.
349
(
1936.3
)
Not on display
  • Level 2 Permanent Collection
  • Level 1 Permanent Collection
  • Level 0 Carmen Thyssen Collection and Temporary exhibition rooms
  • Level -1 Temporary exhibition rooms, Conference room and EducaThyssen workshop
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL
Level -1
Temporary exhibition rooms, Conference room and EducaThyssen workshop
Temporary exhibition rooms Conference room EducaThyssen Workshop

Within Rubens’ enormous output as a painter, which covered the principal pictorial genres (all of which he handled with equal skill), religious painting occupies a prominent position due to the number of works and their importance. Rubens painted large-scale religious compositions of a monumental and decorative type for public devotion in churches, as well as small-scale works intended for private devotional purposes. The present canvas falls within the latter category.

The Virgin and Child with Saint Elizabeth and Saint John the Baptist dates from between two major commissions of this period: The Last Judgement, painted for the Jesuit church in Neuburg in 1616 (now in the Alte Pinakothek, Munich), and the so-called Coup de Lance of 1620, painted for the high altar of the Recollect church in Antwerp. During these years Rubens also undertook numerous private commissions, among them a number of Holy Family compositions, a motif that he painted throughout his career in many different ways. In the present case, Rubens once again looked to Italy, in particular to Raphael’s Holy Family known as “La perla” in the Museo del Prado. That work had been commissioned from Raphael by Ludovico de Canossa around 1518 and was acquired from his descendent, Galeazzo de Canossa in 1604 by Vincenzo Gonzaga, Duke of Mantua, a patron of Rubens’ during the artist’s Italian trip. According to Oldenburg, Rubens would have seen Raphael’s painting in the ducal palace in Mantua, and he used its composition not just for the present canvas but also for other Holy Family paintings. The pose of the infant Christ on his mother’s lap and that of the young Saint John are close to Raphael’s original.

The theme of the Virgin and Child accompanied by Saint Elizabeth and the infant Saint John the Baptist was a motif depicted by Leonardo and one that Raphael made popular through his Holy Family compositions. As with numerous motifs in art, this episode is not recorded in the Bible, where the only meeting between Christ and John the Baptist takes place at Christ’s baptism in the Jordan. The origins of this motif are to be found in the Meditations of the Pseudo-Bonaventura in which this episode is said to have taken place during the Flight into Egypt.

The subject and format of this canvas suggest that it was a private commission intended for domestic use. This is also likely to judge from the use of this agreeable, pleasant episode in which two children play under the watchful gaze of their mothers. The lamb on which Saint John is sitting, stroking its ear, is introduced as a symbol of Christ’s future sacrifice. This message is emphasized by the presence of the banner, whose white pennant refers to the Resurrection, resting on the lamb’s back. However, this aspect of the painting is not overtly stated and more emphasis is placed on the figures and the peaceful, happy mood.

The solidly constructed principal group, with its full-length figures, is set in an exterior with a background of huge architectural elements of which only the base of a column and some of its stone blocks are visible. The compositional rhythm that skilfully links together all the elements once again reveals Rubens’ dynamic, vital style. The figures are modelled with warm colours using large brushstrokes that give life to the soft, pearly flesh tones that are highly typical of the artist’s style. It has been suggested that the figure of Saint John straddling the docile lamb may have been based on Rubens’ own son Albert, who also modelled for other paintings by his father.

Gaskell recorded various versions of this composition, indicating its success among Rubens’ clients. Among them are the ones in the Palazzo Pitti in Florence, the church of Santa Maria del Giglio in Venice, three more in private collections and a copy in the Academy in Vienna. Two drawings have also been related to this composition in which the artist experiments with different arrangements of the figures, both in the Princeton University Art Museum. Between 1763 and 1935 the painting belonged to the Lowther family in Cumberland, while an old source describes it as belonging prior to that to the Gobou family in Antwerp, for whom it was supposedly painted. The canvas was acquired for the Collection from the Mercuria gallery in Lucerne in July 1935.

Mar Borobia

17th Century17th Century - Flemish paintingPaintingOilcanvas
Listen
Download image Print page

Products and publications

The Virgin and Child with Saint Elizabeth and Saint John the Baptist

The Virgin and Child with Saint Elizabeth and Saint John the Baptist

17.00 €

Watch Swatch+Thyssen Mondrian The Red Shiny Line

Watch Swatch+Thyssen Mondrian The Red Shiny Line

80.01 €

Max Beckmann, figuras del exílio. Exhibition catalogue. Hardcover. Spanish.

Max Beckmann, figuras del exílio. Exhibition catalogue. Hardcover. Spanish.

38.00 € 9.50 €

La máquina Magritte: Exhibition catalog (Spanish w. English texts)

La máquina Magritte: Exhibition catalog (Spanish w. English texts)

29.99 € 20.00 €

Visit online shop

More from the collection

Peter Paul Rubens
Peter Paul Rubens
The Blinding of Samson
ca. 1609 - 1610
Peter Paul Rubens
Peter Paul Rubens
Portrait of a Young Woman with a Rosary
ca. 1609 - 1610
Peter Paul Rubens
Peter Paul Rubens
Venus and Cupid
ca. 1606 - 1611
Peeter Neeffs I
Peeter Neeffs I
Interior of a Gothic Church
1615 - 1616
  • Private and/or didactic use
  • Commercial use
Private and/or didactic use
The Virgin and Child with St. Elizabeth and St. John the Baptist. La Virgen con el Niño, santa Isabel y san Juan Bautista, c. 1618
The Virgin and Child with Saint Elizabeth and Saint John the Baptist
Peter Paul Rubens

©

Thyssen-Bornemisza Collection, on loan with the Museu Nacional d'Art de Catalunya (MNAC)

Terms of Use

The exploitation rights of the images correspond to the Fundación Coleccion Thyssen-Bornemisza, F.S.P. The Fundación authorizes the downloading of high-resolution images from its website for private use, use for educational and research purposes, and other non-commercial uses.

Use for educational and research purposes is understood as the non-commercial or advertising use of images in presentations, conferences, school or university work, in classes at regulated education institutions, as well as in academic publications, with a circulation of less than 1,000 copies, provided that it is non-profit.

Non-commercial use is understood as the use of the images in a context where no profit, monetary or commercial, is generated, directly or indirectly.

Any use other than those indicated above will require the prior written authorization of the Fundación Any request for educational and research use or for non-commercial use (including academic publications), should be directed by email to the Museum Photo Library through the email address archivo.fotografico@museothyssen.org. This department manages the worldwide distribution of the images of the works of the Museo Nacional Thyssen-Bornemisza and the management of their reproduction rights for those uses.

The user agrees to use the image of the website solely and exclusively for the purposes described above and in accordance with the following terms of use:

Terms of use

  • If the image is used for reproduction, the work must be reproduced in its entirety. The image may not be manipulated, deformed, modified, or altered in any way. In particular, no superposition (of images or texts) on the reproduction is allowed.
  • The reproduction of a detail or part of the work may only be made with the prior written authorization of the Fundación. In this case, the credit line must include the following mention: “detail”.
  • Any total or partial reproduction of the images authorized by the Fundación must be accompanied by the following mention: Author's name. Title, Date © Museo Nacional Thyssen-Bornemisza, Madrid.
  • The user will send to the Museum Photo Library of the Fundación one (1) free copy of the edition, publication or reproduction to the following address: Archivo Fotográfico, Museo Nacional Thyssen-Bornemisza, Paseo del Prado, 8 28014 Madrid, Spain.
Download image
Commercial use
The Virgin and Child with St. Elizabeth and St. John the Baptist. La Virgen con el Niño, santa Isabel y san Juan Bautista, c. 1618
The Virgin and Child with Saint Elizabeth and Saint John the Baptist
Peter Paul Rubens

©

Thyssen-Bornemisza Collection, on loan with the Museu Nacional d'Art de Catalunya (MNAC)

Terms of Use

The Photographic Archive of the Museo Nacional Thyssen-Bornemisza offers sale and rental service of photographic material of all the works on its Permanent Collection.

To request images or permits for commercial use in academic or research publications, that is, catalogues of other institutions, monographs and other specialized publications, you should contact the Museum's Commercial Archive by email at the e-mail @email.

To request images or permits for other commercial or advertising uses (general publications, merchandising, exhibitions, audio-visual works, web pages, etc.), you should contact the Museum's Commercial Archive by email at the e-mail @email.

The Photo Library and the Museum's Commercial Archive manage the worldwide distribution of images of the Museo Thyssen-Bornemisza works, as well as their reproduction rights. The applicable rates are calculated based on the nature and proposed use of the images, as well as the availability of the requested image.

Requests for scans or new photographs will be reviewed on a case-by-case basis. Once approved, an additional fee will apply. Re-photographing a work will require a minimum of six weeks to complete.

However, photographed works are protected by copyright. Therefore, regardless of the terms of use of the photographs set out below by the Foundation, it will be necessary to obtain a license from the author or copyright holder known to the Fundacion in order to reproduce or exploit the work.

Download image
Thyssen-Bornemisza Museo Nacional

Navegación secundaria (EN)

  • #Thyssenmultimedia
  • Press
  • Corporate events
  • Tourism
  • Join our team
  • Newsletter
Instagram
Facebook
X
Youtube
TikTok
iVoox
LinkedIn

The Museo Nacional Thyssen-Bornemisza would like to thanks for the collaboration of:

Fundación Mutua Madrileña Master Card Comunidad de Madrid
©2025 Thyssen-Bornemisza National Museum

Menú al pie (EN)

  • Legal terms and use of images
  • Public tenders
  • Transparency site
  • Accessibility and quality
  • Sustainability & 2030 Agenda
  • Contact
Ministry of Culture España es cultura | Spain is culture. The website promoting Spanish culture Paisaje de la Luz | Paseo del Prado y Buen Retiro. Paisaje de las Artes y las Ciencias
Certificación de Conformidad con el Esquema Nacional de Seguridad. Categoría Media. RD 311/2022