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Museo Nacional Thyssen-Bornemisza, Madrid
William Merritt Chase

Shinnecock Hills

1893 - 1897
Oil on panel.
44.4 x 54.6 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
502
(
1979.30
)
ROOM 32
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room

During the 1880s the influence of the French plein air painting brought about a shift in William Merritt Chase’s work from the dark, compact style of his the early years in Munich to luminous landscapes rendered loosely and in a highly-keyed palette. At Shinnecock Hills, Long Island, where he settled permanently in 1891, Chase painted many views of the scenery in the surroundings of his mansion. Particularly notable among them is a series of panel paintings showing the scrub-covered dunes separating the dry land from the seashore. These small, delicate works that capture the brilliant luminosity of the place can be related to the work of the Impressionists, particularly Alfred Sisley. The broad, frontal panoramic view built up from loose brushstrokes in the warm tones that characterise the panel painting in the Thyssen-Bornemisza collection make it one of the most exquisite works from this period.

In 1891 Chase established the Shinnecock Summer School of Art, where he taught until 1902. The painter, who had made his debut as a teacher in 1878 at the Art Students League in New York, encouraged his students to work outdoors, in the presence of nature, and to paint directly on canvas, dispensing with sketches or preparatory drawings, and therefore made a decisive contribution to the spread of Impressionism in America.

Paloma Alarcó
 

19th Century19th Century - American painting. ImpressionismPaintingOilpanel
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  • Private and/or didactic use
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Shinnecock Hills. Las colinas de Shinnecock, 1893-1897
Shinnecock Hills
William Merritt Chase

©

Museo Nacional Thyssen-Bornemisza, Madrid

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Shinnecock Hills. Las colinas de Shinnecock, 1893-1897
Shinnecock Hills
William Merritt Chase

©

Museo Nacional Thyssen-Bornemisza, Madrid

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